Sid Richardson Museum presents "Night & Day: Frederic Remington's Final Decade"

Sid Richardson Museum presents "Stunning Saddle"

Image courtesy of Sid Richardson Museum

Sid Richardson Museum presents "Night & Day: Frederic Remington's Final Decade," which explores works made in the final decade of Remington’s life, when the artist alternated his canvases between the color dominant palettes of blue-green and yellow-orange. The works included range from 1900 to 1909, the year that Remington’s life was cut short by complications due to appendicitis at the young age of 48.

In these final years Remington was working to distance himself from his long-established reputation as an illustrator, to become accepted by the New York art world as a fine artist, as he embraced the painting style of the American Impressionists. In these late works he strove to revise his color palette, compositional structure, and brushwork as he set his Western subjects under an interchanging backdrop of the shadows of night and the dazzling light of day.

Throughout his career Remington revised and reworked compositions across media, from his illustrations to his oils to his three-dimensional bronzes. As part of this process of revision, Remington took extreme measures from 1907 to 1909 when, as part of his campaign toward changing the perception of his art, he destroyed well over 100 works that he felt did not satisfy his new standards of painting.

A contract made with Collier’s magazine that began in 1903 meant that many of the works he destroyed are preserved through halftone reproductions published by that journal. The inclusion of these images in this exhibition offers the opportunity to compare them with modified and remade compositions Remington produced in his final years.

The museum is extending the run of the exhibition to Sunday, April 30, to showcase a rare Remington watercolor titled Cold Day on Picket. The artwork was recently discovered by Museum Director Scott Winterrowd during a visit with Dallas collectors Duffy and Tina Oyster.

Image courtesy of Stephanie Syjuco

Amon Carter Museum of American Art presents "Stephanie Syjuco: Double Vision"

The Amon Carter Museum of American Art presents "Stephanie Syjuco: Double Vision," an expansive multimedia exhibition in the Museum’s first-floor galleries. The newly commissioned, site-specific installation by the artist uses digital editing and archive excavation to transform images of renowned works from the Carter’s collection and reconsidering mythologies of the American West.

Reframing iconic works by American artists including Albert Bierstadt, Frederic Remington, and others, Syjuco’s work will highlight the constructed nature of historical narratives and reveal how these works and their presentation can perpetuate colonial lore. New photographs by Syjuco will be mounted on two digitally altered landscapes rendered as murals on the gallery’s 50-f00t-wide and 15-foot-tall walls with floor-to-ceiling fabric curtains that together create an immersive, 360-degree experience.

The mural on the north wall will be a chromolithograph print from the Carter’s collection, The Storm in the Rocky Mountains (ca. 1868), by Bierstadt that has been doubled in places. A Rorschach-esque mirror of itself, the image underscores the projection of promise, fantasy, and opportunity historically placed on western land. Additionally, the mural image will extend beyond the border of the landscape to reveal color-management by both artist and Museum - the printer’s color checking as well as a digital color bar from the Carter’s photo studio. Mounted on top of the vinyl mural will be images Syjuco took of White male hands depicted in works throughout the Museum’s western art holdings often in the act of controlling, whether pointing, grasping, or handling items such as reins, ropes, and weapons.

The mural on the south wall will feature a different chromolithograph from the Carter’s Bierstadt holdings, The Rocky Mountains, Lander's Peak (1869). The image will be rendered in chroma key, a kelly-green color often associated with green screens, signaling space that will be manipulated in post-production. This vibrant tonal quality alludes to the pre-existing inhabitants, communities, and infrastructures that are “edited out” in many narratives of western settler expansion.

On top of the vinyl, Syjuco will mount large printed photographs of Remington sculptures from the Carter’s collection that she will carefully stage to contain photographic and cataloging tools often hidden from public view - color correction cards, identification tags, and measuring devices. The works will be intentionally captured from rear angles against a dark black background to remove them - literally and metaphorically - from their customary pedestals.

Photo by Kevin Muncie

Kimbell Art Museum presents The Kimbell at 50: A Golden Anniversary Celebration

The Kimbell Art Museum celebrates its 50th anniversary on October 4. On that day in 1972, the Kimbell opened the Louis I. Kahn Building to great acclaim, a building that is widely regarded as one of the most important architectural masterpieces of the 20th century.

Anniversary celebrations begin with a day full of special programming on October 4, including birthday cake, permanent collection and exhibition tours, and more. Museum members will receive a special discount on selected items in the Museum Shops, plus a free gift (while supplies last).

From October 4-8, visitors can enjoy free admission to the special exhibition Murillo: "From Heaven to Earth."

There will also be Family Festival & Celebration on October 8, where visitors can enjoy a variety of family-friendly activities, including sensory tours for kids, architecture and artist films, and sketching in the galleries, plus special performances from community partners. Musician Abraham Alexander will put on a special performance during the festival.

Photo courtesy of Kimbell Art Museum

Kimbell Art Museum presents "Murillo: From Heaven to Earth"

The special exhibition "Murillo: From Heaven to Earth" celebrates the genre paintings of one of the most celebrated painters of the Spanish Golden age: Bartolomé Esteban Murillo (1617-1682). While Murillo is primarily known for his religious subject matter, some of his most iconic works depict secular themes.

For the first time in modern history, ordinary people, beggars, street urchins, and flower girls convey the cultural narratives and written tales of Murillo’s time. Comprising approximately 50 works, the exhibition explores themes of youth and age, comedy, romance and seduction, faith and charity, landscape, portraiture, and modern realism.

Photo courtesy of Justin Ginsberg

Amon Carter Museum of American Art presents Justin Ginsberg: "Shaking the Shadow"

Over the course of the summer, Texas-based artist Justin Ginsberg will create a glass sculptural work inspired in part by the Sargent, Whistler, and Venetian Glass exhibition. Ginsberg will work with a glass kiln set up on the Museum’s lawn each weekend, pulling glass threads measuring up to 30 feet in length.

At the end of each glassmaking session, Ginsberg will install the threads he has created in the Carter’s Main Gallery, resulting in a large-scale glass "waterfall" sculpture. The public will be able to watch Ginsberg at work during his weekend sessions as well as witness the multi-month realization of his site-specific installation.

Photo courtesy of Kehinde Wiley, the North Carolina Museum of Art, and Sean Kelly, New York

Kimbell Art Museum presents "SLAY: Artemisia Gentileschi & Kehinde Wiley"

Two paintings depicting different versions of the Old Testament story of Judith and Holofernes, one by Italian Baroque artist Artemisia Gentileschi and the other by American contemporary artist Kehinde Wiley, will be on view at the Kimbell for a limited time. Strikingly different renditions of the same subject realized exactly 400 years apart, the paintings will allow visitors to reflect on contemporary issues through a historical lens.

Gentileschi’s Judith Slaying Holofernes is both a powerful statement of her skill as an artist - which gained her much recognition during her lifetime, and a statement of the adversity overcome by a young woman who succeeded at establishing a painting practice at a time when the field was almost entirely male dominated.

Wiley is best known for his monumental portraits of young Black men placed in historical poses and settings appropriated from Old Master paintings. He consistently addresses issues of race within art history while also commenting on contemporary culture, identity, power and inequality.

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'Yellowstone' stars to greet fans at Fort Worth Stock Show & Rodeo

Yellowstone news

Yellowstone fans, get your comfy shoes ready - there'll be a long line for this one. Cole Hauser a.k.a. "Rip Wheeler" on Yellowstone, and Taylor Sheridan, the show's co-creator, executive producer, and director of the series, will meet fans and sign autographs at the Fort Worth Stock Show & Rodeo.

The event will take place from 4:30-6:30 pm only on Friday, February 3. Location is the 6666 Ranch booth near the south end of Aisle 700 in the Amon G. Carter, Jr. Exhibits Hall.

According to a February 2 announcement from FWSSR, "fans will have the opportunity to snag an autograph as well as purchase some distinctive Yellowstone and 6666 Ranch merchandise while also enjoying all the features the Stock Show offers."

The event is free to attend (with paid Stock Show admission) and open to the public.

It's the second year in a row for Hauser to appear at FWSSR; in 2022, he and fellow cast mates drew huge crowds.

Sheridan, a Paschal High School graduate, is no stranger to Fort Worth; he lives in a ranch near Weatherford and filmed 1883, the prequel to Yellowstone, in and around Fort Worth. Currently, another spinoff, 1883: The Bass Reeves Story, is filming in North Texas.

The Fort Worth Stock Show & Rodeo is winding up its 2023 run on Saturday, February 4.

Tasty restaurant news tops this week's 5 most-read Fort Worth stories

This week's hot headlines

Editor's note: A lot happened this week, so here's your chance to get caught up. Read on for the week's most popular headlines. Looking for the best things to do this weekend? Find that listhere.

1. Fat tacos, crispy pepperoni pizza, and more Fort Worth restaurant news. We have lots of tasty restaurant dish in Fort Worth right now, including a new pizzeria, a new AYCE pizza buffet, and new limited-edition tacos. There's more than one fried chicken offering, and at least two pumpkin specials. Here's what's happening in Fort Worth restaurant news.

2. Restaurant bullish on burgers and bourbon cocktails comes to Grapevine. A better burger concept from South Carolina is taking a crack at Texas: Bohemian Bull, a small chain founded in Charleston in 2013, has opened its first Texas location in Grapevine, featuring burgers and a full bar with 24 craft beer taps.

3. Award-winning Mexican restaurant hits the jackpot at new Denton location. A DFW restaurant that's earned national acclaim has opened in Denton: El Rincón del Maiz, previously of Garland, is now located at 1431 E. McKinney St. in Denton where it's winning over locals with its Tex-Mex classics and vegan dishes.

4. Fort Worth Symphony Opening Night Celebration ushers in new season with grace and gusto. Thunder crashed and lightning crackled outside, but a freak Friday night thunderstorm couldn’t dampen spirits at the Fort Worth Symphony Opening Night Concert and Celebration on September 8.

5. Where to drink in Fort Worth right now: 9 best bars to watch college football. Three weeks into the season and college football is on fire. Here are nine of the best bars to visit for some college football-watching in Fort Worth right now - a mix of old favorites and a few new surprises.

Mr Gatti's Pizza returns to home turf Fort Worth with new location

Pizza News

A Fort Worth-based pizzeria concept has opened a location in Fort Worth: Mr Gatti's Pizza has opened a restaurant off Camp Bowie at 2812 Horne St. #100, a space previously occupied by Helen's Hot Chicken, where they're open with pizza, pizza rolls, and their signature ranch dressing.

The location is a franchise owned by Kirk Jefferies, who also owns and operates franchises of Jason’s Deli and Chicken Express. This is his first Mr Gatti’s, but he has more locations planned.

“When people talk about Mr Gatti's Pizza, you can see a spark in their eyes. We love being able to bring that 'excitement' and combine it with our passion for pizza,” Jefferies says in a release. “Mr Gatti's Pizza has been satisfying cravings for over 50 years. It truly is an honor to be a part of this legacy brand that people cherish."

Menu favorites from about a dozen pizza options include The Sampler, The Deluxe with sausage, pepperoni, & smoked provolone, and BBQ chicken. A basic 12-inch cheese pizza with one topping is $12.

There are lunch specials from 10:30 am-3 pm including pepperoni rolls and salad for $10; 8 wings and salad for $13; and a medium pizza with 2 salads for $15.

The chain was first founded in Stephenville, Texas as The Pizza Place, in September 1964. In 1969, founder James Eure moved to Austin and opened the first Mr Gatti’s Pizza, named for his wife's maiden name.

They have a major presence in South Texas but only two in the DFW area: Plano and Allen.

There was a location that opened in Fort Worth in 2016, at 3280 W. Seventh St. in Museum Place, which at the time, was the first to use the Mr. Gatti’s name; the chain had been going by "Gatti's." So many name changes! It closed in 2018. There was also a location in North Richland Hills which opened in 2016 and closed in early 2019; and a location in Richardson that closed in 2018.

Back in the day they had a big buffet as well as a big game room, two features for which many longtime fans are nostalgic. But this location is just about the pizza.

There are now more than 70 locations in states across the Southeast, including Alabama, Indiana, Kentucky, Louisiana, Ohio, Oklahoma, and Tennessee.

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