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Sid Richardson Museum presents "Night & Day: Frederic Remington's Final Decade"

Sid Richardson Museum presents "Stunning Saddle"

Photo courtesy of Sid Richardson Museum

Sid Richardson Museum presents "Night & Day: Frederic Remington's Final Decade," which explores works made in the final decade of Remington’s life, when the artist alternated his canvases between the color dominant palettes of blue-green and yellow-orange. The works included range from 1900 to 1909, the year that Remington’s life was cut short by complications due to appendicitis at the young age of 48.

In these final years Remington was working to distance himself from his long-established reputation as an illustrator, to become accepted by the New York art world as a fine artist, as he embraced the painting style of the American Impressionists. In these late works he strove to revise his color palette, compositional structure, and brushwork as he set his Western subjects under an interchanging backdrop of the shadows of night and the dazzling light of day.

Throughout his career Remington revised and reworked compositions across media, from his illustrations to his oils to his three-dimensional bronzes. As part of this process of revision, Remington took extreme measures from 1907 to 1909 when, as part of his campaign toward changing the perception of his art, he destroyed well over 100 works that he felt did not satisfy his new standards of painting.

A contract made with Collier’s magazine that began in 1903 meant that many of the works he destroyed are preserved through halftone reproductions published by that journal. The inclusion of these images in this exhibition offers the opportunity to compare them with modified and remade compositions Remington produced in his final years.

Image courtesy of Stephanie Syjuco

Amon Carter Museum of American Art presents "Stephanie Syjuco: Double Vision"

Amon Carter Museum of American Art presents "Stephanie Syjuco: Double Vision"

The Amon Carter Museum of American Art presents "Stephanie Syjuco: Double Vision," an expansive multimedia exhibition in the Museum’s first-floor galleries. The newly commissioned, site-specific installation by the artist uses digital editing and archive excavation to transform images of renowned works from the Carter’s collection and reconsidering mythologies of the American West.

Reframing iconic works by American artists including Albert Bierstadt, Frederic Remington, and others, Syjuco’s work will highlight the constructed nature of historical narratives and reveal how these works and their presentation can perpetuate colonial lore. New photographs by Syjuco will be mounted on two digitally altered landscapes rendered as murals on the gallery’s 50-f00t-wide and 15-foot-tall walls with floor-to-ceiling fabric curtains that together create an immersive, 360-degree experience.

The mural on the north wall will be a chromolithograph print from the Carter’s collection, The Storm in the Rocky Mountains (ca. 1868), by Bierstadt that has been doubled in places. A Rorschach-esque mirror of itself, the image underscores the projection of promise, fantasy, and opportunity historically placed on western land. Additionally, the mural image will extend beyond the border of the landscape to reveal color-management by both artist and Museum - the printer’s color checking as well as a digital color bar from the Carter’s photo studio. Mounted on top of the vinyl mural will be images Syjuco took of White male hands depicted in works throughout the Museum’s western art holdings often in the act of controlling, whether pointing, grasping, or handling items such as reins, ropes, and weapons.

The mural on the south wall will feature a different chromolithograph from the Carter’s Bierstadt holdings, The Rocky Mountains, Lander's Peak (1869). The image will be rendered in chroma key, a kelly-green color often associated with green screens, signaling space that will be manipulated in post-production. This vibrant tonal quality alludes to the pre-existing inhabitants, communities, and infrastructures that are “edited out” in many narratives of western settler expansion.

On top of the vinyl, Syjuco will mount large printed photographs of Remington sculptures from the Carter’s collection that she will carefully stage to contain photographic and cataloging tools often hidden from public view - color correction cards, identification tags, and measuring devices. The works will be intentionally captured from rear angles against a dark black background to remove them - literally and metaphorically - from their customary pedestals.

Photo courtesy of Amon Carter Museum of American Art

Amon Carter Museum of American Art presents "Faces from the Interior: The Native American Portraits of Karl Bodmer"

Amon Carter Museum of American Art presents "Faces from the Interior: The Native American Portraits of Karl Bodmer"

Organized by and drawn exclusively from the collection of the Joslyn Art Museum (Omaha, Nebraska), "Faces from the Interior" features over 60 recently conserved watercolors including portraits of individuals from the Omaha, Ponca, Yankton, Lakota, Mandan, Hidatsa, Assiniboine and Blackfoot nations.

Contemporary Indigenous knowledge bearers, artists, and scholars from the nations that Bodmer and his companion, German prince Maximilian zu Wied-Neuwied, visited between 1832 and 1834 have contributed texts and four short films for this exhibition, which together highlight the diverse histories, beliefs, and practices embodied in the portraits.

Photo by Zig Jackson

Amon Carter Museum of American Art presents "Speaking with Light: Contemporary Indigenous Photography"

Amon Carter Museum of American Art presents "Speaking with Light: Contemporary Indigenous Photography"

Marking the first major museum survey to explore the practices of Indigenous photographers working today, the Amon Carter Museum of American Art will present "Speaking with Light: Contemporary Indigenous Photography." Contemporary photography-based works will spotlight the dynamic ways in which more than 30 Indigenous artists have leveraged their lenses over the past three decades to reclaim representation and affirm their existence, perspectives, and trauma.

Among many milestone works, this sweeping multimedia exhibition will feature acclaimed prints by Hulleah Tsinhnahjinnie, Wendy Red Star, and Nicholas Galanin; site-responsive installations by Kapulani Landgraf and Jolene Rickard; and a new large-scale photo weaving by Sarah Sense, which has been commissioned by the Carter.

"Speaking With Light" showcases the evolution of cultural affirmation and institutional critique in photography through the prolific output of young and mid-career artists such as Jeremy Dennis, Sky Hopinka, Dylan McLaughlin, and Cara Romero, along with their generational forebearers, including Shelley Niro, Tom Jones, and Zig Jackson.

Brought together, these photographs, videos, three-dimensional works, and digital activations forge a mosaic investigation into identity, resistance, and belonging. Reflecting a wide spectrum of distinct cultures and creative practices, the exhibition is an outgrowth of the Carter’s broader collecting initiative dedicated to amplifying Indigenous artists’ contributions to the history of photography and American visual identity.

Photo courtesy of Modern Art Museum of Fort Worth

Modern Art Museum of Fort Worth presents "Modern Masters: A Tribute to Anne Windfohr Marion"

Modern Art Museum of Fort Worth presents "Modern Masters: A Tribute to Anne Windfohr Marion"

Modern Art Museum of Fort Worth will present "Modern Masters: A Tribute to Anne Windfohr Marion," an exhibition of contributions of one of the Modern Art Museum of Fort Worth’s greatest patrons, tracing her support over nearly a half century. Marion’s generosity to many institutions is legendary, but no organization stood above her love for the Modern. The exhibit will feature 80 works by 47 artists.

Marion began collecting modern and contemporary art in the 1980s. At that time, her passion, and strategy, was to focus on American art at the highest level. She began by forming a small but stellar private collection of Abstract Expressionism, one of the most significant art movements since World War II. The exhibition begins with three renowned works from her collection, given to the Modern on her passing in 2021: Arshile Gorky’s "The Plow and the Song," 1947, Willem de Kooning’s "Two Women," 1954–55, and Mark Rothko’s majestic "White Band No. 27," 1954.

The exhibition will combine these stellar paintings, seen together here for the first time, with a major group of works by Jackson Pollock, purchased by the Modern in the mid-1980s. At that time, Abstract Expressionism was generally out of the financial range of most museums. However, with Marion’s help, and that of her Burnett Foundation, the Museum was able to purchase an important group of works by Pollock, arguably the most famous and radical member of the Abstract Expressionists. The 12 drawings, paintings, and prints acquired by the Modern in 1985 poignantly trace Pollock’s expressive journey between psychological figuration and abstraction.

Photo courtesy of Kimbell Art Museum

Kimbell Art Museum presents "Murillo: From Heaven to Earth"

Kimbell Art Museum presents "Murillo: From Heaven to Earth"

The special exhibition "Murillo: From Heaven to Earth" celebrates the genre paintings of one of the most celebrated painters of the Spanish Golden age: Bartolomé Esteban Murillo (1617-1682). While Murillo is primarily known for his religious subject matter, some of his most iconic works depict secular themes.

For the first time in modern history, ordinary people, beggars, street urchins, and flower girls convey the cultural narratives and written tales of Murillo’s time. Comprising approximately 50 works, the exhibition explores themes of youth and age, comedy, romance and seduction, faith and charity, landscape, portraiture, and modern realism.

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Ultimate party house with indoor pool hits market for $745,000 in Fort Worth

Wild house for sale

A seemingly inconspicuous home in east Fort Worth shows that you never really know what kind of wild-and-crazy stuff is going on inside a house - and not to judge a building by its exterior.

The four-bedroom, five-bathroom house at 1809 Carl St., four miles east of downtown Fort Worth, recently hit the market for $745,000. At first glance, it looks like many homes in the area. But a peek at the interior photos shows why it's attracted lots of attention on the Zillow Gone Wild Facebook page and Twitter account.

Called a fusion of “ultimate” party house and “coolest” investment property in its Zillow listing, the home seems to be built around an indoor, ground-heated swimming pool complete with slide and diving board.

Additional party house highlights include:

  • An outdoor kitchen
  • An outdoor shower
  • A hot tub
  • Air hockey and pool tables
  • Astro turf from TCU’s field
  • Party lighting
  • Enough parking for a tour bus
  • Multiple indoor and outdoor entertaining areas

The home, built in 1940, features 7,179 square feet of living space on less than half an acre of land. The property includes the main four-bedroom house plus a loft-style studio back house with a hot tub and underground wine cellar.

Thousands of commenters on Zillow Gone Wild shared their thoughts about the unconventional home. Several of them compared the house to game shows, 80s department stores and frat houses.

“It’s like an 80s department store and a game show had a baby. I’m overwhelmed and it was only pictures,” one critic wrote.

“This house screams frat house decorated with the entire contents of a furniture warehouse going out of business sale,” another critic commented.

Some commenters said the house had less than innocent undertones.

“There’s $700,000 worth of coke in that green carpet around the pool, guaranteed,” one commenter said.

Another commenter wrote, “Part Dave and Buster’s, part 1980s drug lord. I LOVE IT.”

Other, nicer comments noted the house’s bright, fun colors and the appeal of an indoor swimming pool.

Lance Blann of Dave Perry Miller Real Estate has the listing; attempts to reach him so far have been unsuccessful.

The heated indoor pool has a slide and a diving board.

To learn more about the Fort Worth home head to its view its listing.

Dallas-Fort Worth artist lands collection of colorful canvases at Target stores

Artist News

A local artist who creates colorful and vibrant art has a collection being sold at Target.

The artist is Roma Osowo of Dallas, and the 18-piece collection features a variety of abstract masterpieces ranging in designs and sizes, each unique but filled with Osowo's joyful and optimistic perspective. The collection is available in Target stores until Sunday, December 4, and online until Monday, September 4, 2023.

The collection came about when a home decor company saw the potential in her talent and made introductions to Target.

There are smaller canvases measuring 10" X 13" and 11" X 11", priced at $14.99, some of which have sold out; and larger canvases measuring 24" X 24", 24" X 30", and 36" X 36", priced from $50 to $85.

Osowo was born and raised in the British Virgin Islands, before migrating to the U.S. when she was 16. She spent more than a decade having a family and put art on the backburner, but returned to painting in earnest in 2017.

She favors rich, vibrant colors, calling herself a "color-loving abstract artist who creates vibrant, joy-filled art to elevate beautiful spaces."

She has also done cellphone cases, calendars, personal diaries, and other home goods, as well as a special clothing collection and resortwear for Trefle, a retailer based in the BVI.

Her work has been collected worldwide, and has been sold in a few retailers in the U.S. such as HomeGoods and Barnes & Noble. She's also has been featured in magazines such as Traditional Home and has worked with brands like Erin Condren, Pressed Juicery, Framebridge, Wexel Art, and Lemonade Pursuits.

“I want people to associate my name with the type of art and feeling they want to create in their homes,” she says. “As well as a name that reminds people that it’s never too late to pursue what you love.”

Fort Worth gets a trendy new revolving sushi place and more restaurant news

News You Can Eat

This roundup of Fort Worth restaurant news has quite a few openings and closures including a trendy new revolving sushi place, a longtime steakhouse dive in the Stockyards and a bistro that was serving tea. Other tidbits include winter menus and holiday fare.

Here's what's happening in Fort Worth restaurant news:

Revolving Sushi is the name of a new restaurant now open at 3088 Basswood Blvd. #250, in far north Fort Worth near I-35. They do the trendy revolving sushi concept, in which a conveyor belt circulates through the restaurant, allowing diners to snatch up the items of their choice as they trundle by. They're coming on strong, serving revolving sushi all day, and will be hospitable through the holidays, open on Christmas Eve, Christmas Day, and New Year's Day. The restaurant is a sibling to Takara Japanese Restaurant and is located right next door; in fact the two restaurants are adjoining. Takara opened three years ago, and does more traditional Japanese food and sushi.

Fork In The Road, an American/burger restaurant in Arlington at 1821 S. Fielder Rd., is closing after nine years in business, with its final day on Saturday December 3, or until supplies last. According to a Facebook post, the restaurant said that it was unable to stay open with price increases, shortages, and rent increases, and it was time to retire.

M & M Steak House, a longtime steakhouse in the Stockyards at 1109 NW 28th St., is officially closed. The restaurant, which first opened in 1965 as a Czech-style steakhouse called Papa Joe's, had not reopened since the pandemic. Owner Keith Kidwill, who also owns Margie's Original Italian Kitchen on Camp Bowie Boulevard, told the FWST the space is now for rent.

Boho Bistro will no longer be the on-site caterer for The Woman’s Club of Fort Worth. According to an email sent out to Woman's Club members, Boho will also no longer be serving food in the Tea Room, and will no longer be renting the kitchen. Boho is out!

Blue Mesa Grill has a new Holiday Fajita Party Pack To-Go, with queso, guacamole, chicken taquitos, steak & chicken fajitas, adobe pie, black beans, coconut lime rice, toppings, tortillas, and brownies with a cajeta swirl. $195 serves 8 people. It's available through December 31; order at bluemesagrill.com.

Blue Goose Cantina is offering its annual homemade Box O’ Tamales in pork, chicken, jalapeño, and cheese options, with three sauces - Salsa Verde, chili con carne, and queso. The boxes are $30, and require a 24-hour minimum advance order on BlueGooseCantina.com. Click ‘Order Now,’ and select the nearest restaurant and date needed.

Snooze an A.M. Eatery has a limited-edition Cranberry Orange Pancake, a buttermilk pancake topped with orange crème anglaise, cranberry coulis, cranberry mascarpone, and almond streusel, available through December 31. Proceeds from the purchase will be donated to World Central Kitchen.

BoomerJack’s Bar and Grill has a new winter menu with $8 items including Brown Bag Burger, Bottomless Soup & Salad, BLT, and a Grilled Chicken Sandwich. The Fat Jack Sampler is a sampler for the table with Boneless Wings, Mozzarella Bites, Brisket Quesadillas, Fried Pickles, and Jack’s Skillet Queso with tortilla chips, for $35. Holiday items include Boozy Hot Chocolate and Tableside S'mores.

Aw Shucks and Big Shucks Oyster Bar now have whole Key lime pies for preorder only, through the month of December. The pies are made in-house daily and 24-hour minimum notice is required. A 9-inch pie is $30.

Razzoo’s Cajun Cafe has introduced a new holiday cocktail called the Berry Blitzen, served in a Hurricane glass with Jack Daniels, Ancho Reyes Chile Liqueur, Finest Call Raspberry, honey syrup, and lemonade, topped with a Red Bull. They're also bringing back Angry Balls, a pint of Angry Orchard Hard Cider paired with a shot of Fireball Cinnamon Whiskey.

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Stephanie Allmon Merry contributed to this story.