Sid Richardson Museum presents "Night & Day: Frederic Remington's Final Decade"

Sid Richardson Museum presents "Stunning Saddle"

Image courtesy of Sid Richardson Museum

Sid Richardson Museum presents "Night & Day: Frederic Remington's Final Decade," which explores works made in the final decade of Remington’s life, when the artist alternated his canvases between the color dominant palettes of blue-green and yellow-orange. The works included range from 1900 to 1909, the year that Remington’s life was cut short by complications due to appendicitis at the young age of 48.

In these final years Remington was working to distance himself from his long-established reputation as an illustrator, to become accepted by the New York art world as a fine artist, as he embraced the painting style of the American Impressionists. In these late works he strove to revise his color palette, compositional structure, and brushwork as he set his Western subjects under an interchanging backdrop of the shadows of night and the dazzling light of day.

Throughout his career Remington revised and reworked compositions across media, from his illustrations to his oils to his three-dimensional bronzes. As part of this process of revision, Remington took extreme measures from 1907 to 1909 when, as part of his campaign toward changing the perception of his art, he destroyed well over 100 works that he felt did not satisfy his new standards of painting.

A contract made with Collier’s magazine that began in 1903 meant that many of the works he destroyed are preserved through halftone reproductions published by that journal. The inclusion of these images in this exhibition offers the opportunity to compare them with modified and remade compositions Remington produced in his final years.

The museum is extending the run of the exhibition to Sunday, April 30, to showcase a rare Remington watercolor titled Cold Day on Picket. The artwork was recently discovered by Museum Director Scott Winterrowd during a visit with Dallas collectors Duffy and Tina Oyster.

Image courtesy of Stephanie Syjuco

Amon Carter Museum of American Art presents "Stephanie Syjuco: Double Vision"

The Amon Carter Museum of American Art presents "Stephanie Syjuco: Double Vision," an expansive multimedia exhibition in the Museum’s first-floor galleries. The newly commissioned, site-specific installation by the artist uses digital editing and archive excavation to transform images of renowned works from the Carter’s collection and reconsidering mythologies of the American West.

Reframing iconic works by American artists including Albert Bierstadt, Frederic Remington, and others, Syjuco’s work will highlight the constructed nature of historical narratives and reveal how these works and their presentation can perpetuate colonial lore. New photographs by Syjuco will be mounted on two digitally altered landscapes rendered as murals on the gallery’s 50-f00t-wide and 15-foot-tall walls with floor-to-ceiling fabric curtains that together create an immersive, 360-degree experience.

The mural on the north wall will be a chromolithograph print from the Carter’s collection, The Storm in the Rocky Mountains (ca. 1868), by Bierstadt that has been doubled in places. A Rorschach-esque mirror of itself, the image underscores the projection of promise, fantasy, and opportunity historically placed on western land. Additionally, the mural image will extend beyond the border of the landscape to reveal color-management by both artist and Museum - the printer’s color checking as well as a digital color bar from the Carter’s photo studio. Mounted on top of the vinyl mural will be images Syjuco took of White male hands depicted in works throughout the Museum’s western art holdings often in the act of controlling, whether pointing, grasping, or handling items such as reins, ropes, and weapons.

The mural on the south wall will feature a different chromolithograph from the Carter’s Bierstadt holdings, The Rocky Mountains, Lander's Peak (1869). The image will be rendered in chroma key, a kelly-green color often associated with green screens, signaling space that will be manipulated in post-production. This vibrant tonal quality alludes to the pre-existing inhabitants, communities, and infrastructures that are “edited out” in many narratives of western settler expansion.

On top of the vinyl, Syjuco will mount large printed photographs of Remington sculptures from the Carter’s collection that she will carefully stage to contain photographic and cataloging tools often hidden from public view - color correction cards, identification tags, and measuring devices. The works will be intentionally captured from rear angles against a dark black background to remove them - literally and metaphorically - from their customary pedestals.

Photo courtesy of Amon Carter Museum of American Art

Amon Carter Museum of American Art presents Charles Truett Williams: "The Art of the Scene"

Charles Truett Williams: "The Art of the Scene" examines the Fort Worth mid-century art scene through the presentation of more than 30 works by Fort Worth artist Charles Truett Williams and the artistic community drawn to his studio salon. Accompanying the works on paper and sculptures are ephemera from the recently acquired archives of Williams, enhancing the Carter’s strong holding of artist archives.

The exhibition is the continuation of the Museum’s research into the artistic legacy of underrepresented artists as part of the Gentling Study Center’s mission.

Photo courtesy of Amon Carter Museum of American Art

Amon Carter Museum of American Art presents "Faces from the Interior: The Native American Portraits of Karl Bodmer"

Organized by and drawn exclusively from the collection of the Joslyn Art Museum (Omaha, Nebraska), "Faces from the Interior" features over 60 recently conserved watercolors including portraits of individuals from the Omaha, Ponca, Yankton, Lakota, Mandan, Hidatsa, Assiniboine and Blackfoot nations.

Contemporary Indigenous knowledge bearers, artists, and scholars from the nations that Bodmer and his companion, German prince Maximilian zu Wied-Neuwied, visited between 1832 and 1834 have contributed texts and four short films for this exhibition, which together highlight the diverse histories, beliefs, and practices embodied in the portraits.

Photo by Zig Jackson

Amon Carter Museum of American Art presents "Speaking with Light: Contemporary Indigenous Photography"

Marking the first major museum survey to explore the practices of Indigenous photographers working today, the Amon Carter Museum of American Art will present "Speaking with Light: Contemporary Indigenous Photography." Contemporary photography-based works will spotlight the dynamic ways in which more than 30 Indigenous artists have leveraged their lenses over the past three decades to reclaim representation and affirm their existence, perspectives, and trauma.

Among many milestone works, this sweeping multimedia exhibition will feature acclaimed prints by Hulleah Tsinhnahjinnie, Wendy Red Star, and Nicholas Galanin; site-responsive installations by Kapulani Landgraf and Jolene Rickard; and a new large-scale photo weaving by Sarah Sense, which has been commissioned by the Carter.

"Speaking With Light" showcases the evolution of cultural affirmation and institutional critique in photography through the prolific output of young and mid-career artists such as Jeremy Dennis, Sky Hopinka, Dylan McLaughlin, and Cara Romero, along with their generational forebearers, including Shelley Niro, Tom Jones, and Zig Jackson.

Brought together, these photographs, videos, three-dimensional works, and digital activations forge a mosaic investigation into identity, resistance, and belonging. Reflecting a wide spectrum of distinct cultures and creative practices, the exhibition is an outgrowth of the Carter’s broader collecting initiative dedicated to amplifying Indigenous artists’ contributions to the history of photography and American visual identity.

Photo courtesy of Modern Art Museum of Fort Worth

Modern Art Museum of Fort Worth presents "Modern Masters: A Tribute to Anne Windfohr Marion"

Modern Art Museum of Fort Worth will present "Modern Masters: A Tribute to Anne Windfohr Marion," an exhibition of contributions of one of the Modern Art Museum of Fort Worth’s greatest patrons, tracing her support over nearly a half century. Marion’s generosity to many institutions is legendary, but no organization stood above her love for the Modern. The exhibit will feature 80 works by 47 artists.

Marion began collecting modern and contemporary art in the 1980s. At that time, her passion, and strategy, was to focus on American art at the highest level. She began by forming a small but stellar private collection of Abstract Expressionism, one of the most significant art movements since World War II. The exhibition begins with three renowned works from her collection, given to the Modern on her passing in 2021: Arshile Gorky’s "The Plow and the Song," 1947, Willem de Kooning’s "Two Women," 1954–55, and Mark Rothko’s majestic "White Band No. 27," 1954.

The exhibition will combine these stellar paintings, seen together here for the first time, with a major group of works by Jackson Pollock, purchased by the Modern in the mid-1980s. At that time, Abstract Expressionism was generally out of the financial range of most museums. However, with Marion’s help, and that of her Burnett Foundation, the Museum was able to purchase an important group of works by Pollock, arguably the most famous and radical member of the Abstract Expressionists. The 12 drawings, paintings, and prints acquired by the Modern in 1985 poignantly trace Pollock’s expressive journey between psychological figuration and abstraction.

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'Yellowstone' stars to greet fans at Fort Worth Stock Show & Rodeo

Yellowstone news

Yellowstone fans, get your comfy shoes ready - there'll be a long line for this one. Cole Hauser a.k.a. "Rip Wheeler" on Yellowstone, and Taylor Sheridan, the show's co-creator, executive producer, and director of the series, will meet fans and sign autographs at the Fort Worth Stock Show & Rodeo.

The event will take place from 4:30-6:30 pm only on Friday, February 3. Location is the 6666 Ranch booth near the south end of Aisle 700 in the Amon G. Carter, Jr. Exhibits Hall.

According to a February 2 announcement from FWSSR, "fans will have the opportunity to snag an autograph as well as purchase some distinctive Yellowstone and 6666 Ranch merchandise while also enjoying all the features the Stock Show offers."

The event is free to attend (with paid Stock Show admission) and open to the public.

It's the second year in a row for Hauser to appear at FWSSR; in 2022, he and fellow cast mates drew huge crowds.

Sheridan, a Paschal High School graduate, is no stranger to Fort Worth; he lives in a ranch near Weatherford and filmed 1883, the prequel to Yellowstone, in and around Fort Worth. Currently, another spinoff, 1883: The Bass Reeves Story, is filming in North Texas.

The Fort Worth Stock Show & Rodeo is winding up its 2023 run on Saturday, February 4.

Japanese restaurant in north Fort Worth serves sushi with a colorful edge

Sushi News

A new Japanese restaurant has opened just west of old town Keller, with sushi, Japanese food, and robot servers: Called Takara Wok, it's located at 5301 Golden Triangle Blvd., and is a spinoff of Takara Japanese Restaurant, which opened at 3088 Basswood Blvd. west of Watauga in far north Fort Worth.

There are many Takara restaurants across the U.S. - "takara" means "treasure," and who can resist that for your restaurant name. This Takara is unrelated to the rest. It was founded by husband-and-wife Xiaohe and Vina Lin, whose goal is to offer an authentic Japanese restaurant with traditional design elements that make diners feel like they're dining in Japan.

The young couple first opened Takara Japanese in 2021 and have built a following for good quality dishes such as their poke bolls, spicy tuna sushi rolls, and teriyaki steak bento box with fried rice.

The original Takara is still a neighborhood favorite and popular date night destination, especially with its authentic seating area with tatami mats where you remove your shoes — a fun ice breaker for a date. But its proximity to an elementary school has (ridiculously) hampered its ability to secure a liquor license.

Ever nimble, the Lins took over an adjacent space and installed a fun revolving sushi bar with an ipad-style ordering system which debuted in November 2022, brought in trendy robots, and promoted the fact that their restaurant allowed for BYOB.

The new Takara Wok represents another chapter, with many of the menu items from the original Takara, but with a greater selection of sushi and the game-changing addition:

"We were able to get a license that allows us to serve beer, wine, and sake," a spokesperson says.

Other departures: The atmosphere is far less traditional, with cool blue neon and they've brought along some of the robots from their revolving sushi concept. A beautiful display of colored paper parasols hangs from the ceiling, and the food presentation is more edgy. Sushi samplers, for example, come served on ship-style wooden platters, with dry ice tucked in for a fun smoking show.

Food-wise, Takara Wok's menu has most of the dishes that the original Takara has, plus more: more appetizers, more sushi rolls, more "Asian plates" that incorporate elements from Chinese, Thai, and Japanese cuisines.

There are 18 signature sushi rolls in varieties that are sure to please locals with references to Fort Worth such as the Fort Worth roll with salmon, cream cheese, and avocado; the Texas roll with spicy crabmeat and avocado, topped with stripes of seared truffle steak; the Golden Triangle roll with spicy tuna and avocado, topped with crabmeat; and the Hairmex roll with shrimp tempura. These are people who know how to please a crowd.

4 North Texas cities unlock top-10 spots on new list of best U.S. housing markets

Real estate report

When it comes to places to buy a house, you can't do any better than North Texas. So says WalletHub's highly anticipated 2023 report on the best real estate markets in the U.S. Four cities around Dallas-Fort Worth made it into the top 10, with one suburb capturing the No. 1 ranking.

The new study by the personal finance website, released August 22, names McKinney the No. 1 most attractive real estate market in the country. It's followed closely by No. 2-ranked Frisco.

Two additional Dallas-Fort Worth cities, Denton (No. 4) and Allen (No. 6), earned top 10 spots for the second year in a row. Denton moved up four spots from No. 8 in 2022, while Allen fell four spots from No. 2.

Dallas-Fort Worth housing markets have dominated WalletHub's report throughout the years, showing resilience as other markets rise and fall. McKinney and Frisco have been in the top five since 2021, but the 2023 report is the first time McKinney has dethroned Frisco from the No. 1 spot, after ranking No. 3 in WalletHub's 2022 edition and No. 4 in 2021.

With a great housing market come new businesses. It's no wonder that hot new restaurants, coffee shops, and other attractions are opening in McKinney or choosing the city for new locations.

July 2023 data from Realtor.com shows median home prices in McKinney have fallen 2.8 percent year-over-year to $550,000, with homes selling for an average 2.03 percent less than their asking price. Homes are spending an average of 30 days on the market, another indicator that buyers are willing to hold out for that perfect home for the right price.

Potential owners should attempt to buy their home soon while sellers are more willing to negotiate on housing prices in the wake of higher interest rates, according to Kelly Snider, an urban regional planning professor at San Jose State University.

"More important for the housing market is that brokers and agents pay attention to what buyers want and spend less time listening to what sellers 'expect' or "deserve,'" Snider said in the report. "It is becoming a buyers' market, and 2024 should be good for people looking to buy a house."

Other Dallas-Fort Worth area cities that earned spots in the report include:

No. 22 – Fort Worth
No. 24 – Plano
No. 28 – Richardson
No. 36 – Irving
No. 42 – Carrollton
No. 43 – Dallas
No. 53 – Grand Prairie
No. 70 – Garland
No. 84 – Arlington
No. 120 – Mesquite

The study analyzed 300 U.S. cities across 17 metrics in two categories to determine the best real estate markets. Datapoints include median home price appreciation, ratio between rent to sale prices, housing affordability, job and population growth, and more.

The full report can be found on wallethub.com.

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