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Fort Worth Art Fair

Image courtesy of Fort Worth Art Fair

Sundance Square will host the 2023 Fort Worth Art Fair, featuring a four-day lineup of local artists and musicians.

Over 100 artists will be on display through participating galleries, including Artspace111, Flatbed Press, Pencil on Paper Gallery, Fort Worth Art Collective, with special guest ACA Gallery. Booths will be dedicated to Fort Worth emerging artists and Fort Worth women artists, as well as Sundance Square artists-in-residence.

Thursday’s country music line up will include Kristyn Harris, Rosie Flores, Ginny Mac, Matt Hilyer, and Summer Dean. Friday will feature singer-songwriters HONIN, Taylor Pace, Remy Reilly, Junya, and Lou CharLe$. Saturday’s Jazz theme will showcase Gregory Newman, John Adams Electric Trio, Quamon Fowler, Tatiana LadyMay Mayfield, and the Sundance Square Big Band. The fair wrap ups on Sunday with Mariachi Real de Alvarez, Squeezebox Bandits, UNT Latin Jazz Lab, and The Special Edition Band.

The public is also invited to stay until midnight on Friday and Saturday for music and dancing with DJ Danny West. Art gallery booths will be on display under giant white tents on the east side of Sundance Square Plaza; while live music will be performed on the Plaza’s stage.

Photo courtesy of Kimbell Art Museum

Kimbell Art Museum presents The Past, Present, and Future of Conservation

The Kimbell Art Museum will present an art conservation panel discussion, “The Past, Present, and Future of Conservation at the Kimbell." To mark the 50th anniversary of the museum, Kimbell conservators past and present will look back at memorable research and treatments, discuss the vital role of the conservation program within the museum and reflect on changes in the profession.

The program will begin with a welcome from Eric M. Lee, director of the Kimbell Art Museum, and the panel will include Claire Barry, director of conservation emerita, Kimbell Art Museum; Michael Gallagher, Sherman Fairchild Chairman of the Department of Paintings Conservation, The Metropolitan Museum of Art, New York; Elise Effmann Clifford, head of paintings conservation, the Fine Arts Museums of San Francisco; Bart J.C. Devolder, chief conservator, Princeton University Art Museum, New Jersey; and Peter Van de Moortel, chief conservator, Kimbell Art Museum.

Image courtesy of Sid Richardson Museum

Sid Richardson Museum presents "Night & Day: Frederic Remington's Final Decade"

Sid Richardson Museum presents "Stunning Saddle"

Sid Richardson Museum presents "Night & Day: Frederic Remington's Final Decade," which explores works made in the final decade of Remington’s life, when the artist alternated his canvases between the color dominant palettes of blue-green and yellow-orange. The works included range from 1900 to 1909, the year that Remington’s life was cut short by complications due to appendicitis at the young age of 48.

In these final years Remington was working to distance himself from his long-established reputation as an illustrator, to become accepted by the New York art world as a fine artist, as he embraced the painting style of the American Impressionists. In these late works he strove to revise his color palette, compositional structure, and brushwork as he set his Western subjects under an interchanging backdrop of the shadows of night and the dazzling light of day.

Throughout his career Remington revised and reworked compositions across media, from his illustrations to his oils to his three-dimensional bronzes. As part of this process of revision, Remington took extreme measures from 1907 to 1909 when, as part of his campaign toward changing the perception of his art, he destroyed well over 100 works that he felt did not satisfy his new standards of painting.

A contract made with Collier’s magazine that began in 1903 meant that many of the works he destroyed are preserved through halftone reproductions published by that journal. The inclusion of these images in this exhibition offers the opportunity to compare them with modified and remade compositions Remington produced in his final years.

The museum is extending the run of the exhibition to Sunday, April 30, to showcase a rare Remington watercolor titled Cold Day on Picket. The artwork was recently discovered by Museum Director Scott Winterrowd during a visit with Dallas collectors Duffy and Tina Oyster.

Photo courtesy of Sable Elyse Smith

Amon Carter Museum of American Art presents "Emancipation: The Unfinished Project of Liberation"

Amon Carter Museum of American Art presents "Emancipation: The Unfinished Project of Liberation"

In conjunction with the 160th anniversary of the Emancipation Proclamation, the Amon Carter Museum of American Art will present "Emancipation: The Unfinished Project of Liberation," featuring newly commissioned and recent works by Sadie Barnette, Alfred Conteh, Maya Freelon, Hugh Hayden, Letitia Huckaby, Jeffrey Meris, and Sable Elyse Smith.

The new exhibition visualizes Black freedom, agency, and the legacy of the Civil War in 2023 and beyond. The seven installations, spanning sculpture, photography, and paper and textile fabrications, will react to the legacy of John Quincy Adams Ward’s bronze sculpture The Freedman (1863) from the Carter’s collection and will highlight the diversity of materials and forms in sculpture, installation, and mixed media today. Co-organized by the Carter and the Williams College Museum of Art (WCMA), the exhibition demonstrates how historical art collections can be a resource and inspiration for contemporary artistic practices.

Seeking a deeper understanding of what freedom looks like for Black Americans after 160 years, "Emancipation" interrogates the role of sculpture in American life by bringing the perspectives of contemporary Black artists into dialogue with the multi-faceted form and content of Ward’s The Freedman. Initially envisioned and sculpted by Ward before the end of the Civil War, the figure is depicted on the cusp of liberation, with bonds ruptured but not removed. The work is one of the first American depictions of a Black figure cast in bronze, and the Carter’s cast from 1863, dedicated to the 54th Massachusetts Regiment, an all-Black infantry unit, is the only copy of its kind with a key that releases a shackle from the figure’s wrist.

While considered aspirational in its time, over a century and a half later, The Freedman’s reflection of uncertainty and endurance seem to manifest the long reach of American slavery. Contextualized by a selection of other Civil War-era works from the Carter; the Museum of Fine Arts, Boston; Saint-Gaudens National Historical Park; and other collections, the figure’s contemporary resonance issues a prompt for portraits of freedom, imprisonment, corporality, personhood, and power in 2023 to inform the next century.

The seven living artists represented in "Emancipation" were each invited to explore The Freedman through the lenses of their own lives and the multiplicity of meanings those contexts create for the form of emancipation.

Photo by Christina Fernandez

Amon Carter Museum of American Art presents Christina Fernandez: "Multiple Exposures"

Amon Carter Museum of American Art presents Christina Fernandez: "Multiple Exposures"

The Amon Carter Museum of American Art will present Christina Fernandez's exhibit, "Multiple Exposures." The exhibition, organized by the California Museum of Photography at UCR ARTS in Riverside, California, is the first extensive survey of work by the Los Angeles-based artist who has spent decades in a rich exploration of migration, labor, gender, her Mexican-American identity, and the unique capacities of the photographic medium itself. The exhibition firmly centers Fernandez’s work within contemporaneous movements including postmodernism and the Chicano movement.

Fernandez is an artist and educator acclaimed for photographs that examine her connections to her native Los Angeles, the intersections between public and private spaces, personal and historical narratives, exurban and urban spaces, and the cultural border and historical relationships between Mexico and the United States.

The artworks showcased in the exhibition span 30 years, illuminating the formal and conceptual threads that connect them. In this comprehensive solo exhibition, Fernandez’s images compel viewers to reconsider history, the border, and the lives that cross and inhabit them.

Photo courtesy of Main St. Fort Worth Arts Festival

Main St. Fort Worth Arts Festival

The Main St. Fort Worth Arts Festival showcases 215 jury-selected visual artists, live music on two stages, authentic local cuisine, the family-friendly “TCC Makers Zone,” craft beer, wine tastings, and more across 18 square blocks throughout Downtown.

An estimated $4 million worth of art is expected to be sold from local, regional, and national artists representing 15 artistic media, including sculpture, painting, photography, wood, glass, jewelry, metalwork, printmaking, mixed media, and more.

Headlining musicians include Galactic with special guest Anjelika Jelly Joseph, Them Dirty Roses, King Soloman Hicks, Bones Owens, Tatiana “LadyMay” Mayfield, DadRock, Monica Saldivar,, and cover band Poo Live Crew.

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'Yellowstone' stars to greet fans at Fort Worth Stock Show & Rodeo

Yellowstone news

Yellowstone fans, get your comfy shoes ready - there'll be a long line for this one. Cole Hauser a.k.a. "Rip Wheeler" on Yellowstone, and Taylor Sheridan, the show's co-creator, executive producer, and director of the series, will meet fans and sign autographs at the Fort Worth Stock Show & Rodeo.

The event will take place from 4:30-6:30 pm only on Friday, February 3. Location is the 6666 Ranch booth near the south end of Aisle 700 in the Amon G. Carter, Jr. Exhibits Hall.

According to a February 2 announcement from FWSSR, "fans will have the opportunity to snag an autograph as well as purchase some distinctive Yellowstone and 6666 Ranch merchandise while also enjoying all the features the Stock Show offers."

The event is free to attend (with paid Stock Show admission) and open to the public.

It's the second year in a row for Hauser to appear at FWSSR; in 2022, he and fellow cast mates drew huge crowds.

Sheridan, a Paschal High School graduate, is no stranger to Fort Worth; he lives in a ranch near Weatherford and filmed 1883, the prequel to Yellowstone, in and around Fort Worth. Currently, another spinoff, 1883: The Bass Reeves Story, is filming in North Texas.

The Fort Worth Stock Show & Rodeo is winding up its 2023 run on Saturday, February 4.

Quonset hut in south Fort Worth to be transformed into ballroom

Quonset Hut News

A Quonset hut in south Fort Worth is about to make a Cinderella-like transformation: Called the Quonset Ballroom, it's being developed into an entertainment space which will host live music, food trucks, and events.

The hut is located at 2608 W. Dickson St., and was previously home to a lawn care operator for 30 years.

Husband-and-wife Jason and Hedy Peña stumbled onto it while searching for a new location for Hedy’s insurance agency, Armor Texas Insurance Agency. They landed at 2612 Dickson St., a cool mid-century office building built in 1957, which was ideal for the agency, even despite its offbeat address in a heavily industrial area.

“It was a piece of property where we could locate the office and it also had this 4,000-square foot Quonset hut next door,” Hedy says. "We started thinking about creating a venue which could be rented for parties, weddings, and social events."

Quonset huts are sprinkled across the Dallas-Fort Worth landscape, most dating back to the 1940s, shortly after the structure was first invented at Quonset Point Naval Air Station in Rhode Island.

Fort Worth is also currently in thrall with Quonset huts, thanks to the hip PS1200 mixed-use development near the Medical District which opened in July.

This one was built in 1948, and will require an overhaul, including new flooring, AC, and framing, with a planned-for capacity of 250 people.

Even as they work on the revamp, the Peñas have hosted private parties as well as a campaign event for Jason Peña, who ran unsuccessfully for Fort Worth city council in May 2023.

“We’ve had some private events there, but it’s not ready for a full event," Hedy says.

They currently have no plans for a bar but they're building a kitchen space to serve as a platform for the food trucks, including hookups.

The tract also has what was once a 10-car garage, which the Peñas are developing as storefronts they hope to lease as office spaces.

The industrial nature of the neighborhood initally gave them pause, but Hedy says it's turned out to be a positive, and the property itself has mature, leafy trees.

"Everything around us is industrial and at first I was uneasy about opening the insurance agency there," she says. "But the neighborhood has not deterred customers. We've even grown. And without homeowners nearby, it's a good setup if we have live music."

She envisions a spot that will eventually have a community feel, where families can dine and sit outside or inside – there will be seating – and enjoy music and conversation.

“It will be open to rent to the public, for sure, and could turn into something where it has regular hours," she says. “It will be for everyone, the public, our friends, family, so that everyone can see what we have here.”

Gamestop stock saga gets fun, star-filled movie treatment with Dumb Money

Movie review

The stock market feels like one of those aspects of American life that only a select few truly understand. The rest of us acknowledge it as something that exists and affects our lives in some way, but how and why any particular stock is traded and becomes more (or less) valuable can be a complete mystery.

Dumb Money tackles one of the most interesting recent stories to come out of the stock market, the surprising inflation of Gamestop stock in late 2020/early 2021. The film bounces around to a variety of characters, but centers mostly on Keith Gill (Paul Dano), a YouTuber who went by the name of Roaring Kitty. Gill, an amateur stock trader, took an early position about liking the lightly-regarded Gamestop stock, regularly posting videos and on the Reddit thread WallStreetBets about how his significant investment in the stock was doing.

Concurrently, hedge fund managers like Gabe Plotkin (Seth Rogen) were actively trying to short, or bet against, the stock. That began a battle by Gill and other similarly-minded individual investors to fight back against what they saw as unfair trading practices by the big firms, resulting in Gamestop’s stock rising astronomically in a relatively short period of time.

Directed by Craig Gillespie (I, Tonya) and written by Lauren Schuker Blum and Rebecca Angelo, the film is notable for what it is not, a deep dive into the inner workings of the stock market. Instead of getting into the nitty gritty details, the filmmakers treat it as the ultimate David vs. Goliath story, with Gill and other everyday people like a nurse, Jenny (America Ferrera), Gamestop worker Marcus (Anthony Ramos), and college student Harmony (Talia Ryder) going up against billionaires like Plotkin, Steve Cohen (Vincent D’Onofrio), Ken Griffin (Nick Offerman), and Vlad Tenev (Sebastian Stan).

Paul Dano in Dumb Money

Photo by Claire Folger/Sony Pictures

Paul Dano in Dumb Money.

It doesn’t hurt that Gill is an eccentric character who wears cat-emblazoned shirts and a headband, and that the Reddit community he inspires communicates primarily in memes, upping the entertainment factor of their side immensely. The story is also a suspense in a way; as the variety of individuals drive the stock ever higher, their net worth – on paper – also grows exponentially, and the longer each of them holds on without selling ups the potential that they could be burned.

Because the real-life event happened during the thick of the pandemic when it was still up in the air as to the full impact of COVID-19, the story takes on a little more significance. Characters mask up regularly, conversations take place on the phone or over Zoom, and a general feeling of unease permeates the film. That may or may not have influenced how certain people approached the situation, but in the context of the film, it definitely seems to play a part.

The back-and-forth between the haves and have-nots takes up so much time in the film that it barely has time for such well-known actors as Shailene Woodley, Dane Dehaan, Olivia Thirlby, and Pete Davidson, among others. Each of them plays a supporting character to one of the main people, and all of them deliver that little something extra in what could have been throwaway roles.

Dano is a chameleonic actor who’s gone between drama and comedy with ease throughout his career. This role is a mixture of both, and he has an effortlessness about him that makes everything he says instantly believable. Rogen is great casting as Plotkin, amiably playing the buffoon of the story. After her big role in Barbie, Ferrera once again shows that she deserves as many showcases as Hollywood can give her.

Storytellers can rarely go wrong in showing people with little power taking on those with great wealth, and the fact that the story shown in Dumb Money is (mostly) true makes it that much better. You may not understand the stock market any more than you already did at the end, but you’ll be so entertained that it won’t matter.

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Dumb Money is now playing in theaters.