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Many Fort Worth seniors are still punching the clock well past retirement age. According to "Cities with the Most Working Seniors," a new employment study by business website ChamberofCommerce.org, a quarter of Fort Worth seniors aged 65 and up are still employed, making Fort Worth the No. 31 city in the U.S. with the most working seniors.

About 24,300 Fort Worth seniors aged 65 and up are employed out of a total 96,883, or 25.1 percent of the city's senior population.

The No. 1 city in the U.S. with hard-working oldsters is Alexandria, Virginia, located in the Washington, DC metropolitan area, where 36.8 percent of its seniors still employed. Coming in second was Tallahassee, Florida, with 30.9 percent.

In third place was Dallas, with 30.3 percent of the senior population clocking in for work around the city.

To determine their ranking, the site examined the percentage of seniors aged 65 and over who were actively employed within the last 12 months, according to the U.S. Census Bureau. Their analysis included data from 170 of the nation’s most populous cities.

The report says the median household income of a senior citizen in Fort Worth is $52,145, and hints at the rising cost of living coupled with personal extenuating circumstances leading to a new trend of "unretiring" seniors within the Dallas-Fort Worth workforce.

"Deciding when to retire is one of the most important financial and personal decisions that workers can make," the report's author said. "Before making the leap, make sure you have factored in your savings, social security benefits, spending habits, economic volatility and how your social life will change after retirement."

Other DFW cities that made the list include Plano which ranked just at No. 6 overall, with 28.9 percent of the city's senior population currently in the workforce. That amounts to 10,178 seniors out of a total 35,245.

Arlington came in at No. 11 with 27.1 percent or 13,333 employed seniors in the workforce (it has a sizable senior population of 49,153).

Frisco came in at No. 17 with 26.2 percent or 5,180 of its seniors still toiling away. Frisco's relatively high percentage of working seniors might come as a surprise, considering the suburb was recently named one of the best cities for retirees.

Irving (No. 29) also has 25.1 percent of seniors actively employed in the city - the same percentage as Fort Worth - although that doesn't equate to the same number of seniors. The report says there are 5,273 working seniors in Irving, whereas populous Fort Worth has more than 4.5 times that amount of working seniors.

Garland was No. 33 with 25 percent of the senior population under employment. McKinney ranked No. 38, with 24.6 percent of seniors employed in the workforce.

The top 10 U.S. cities with the most working seniors are:

  • No. 1 – Alexandria, Virginia
  • No. 2 – Tallahassee, Florida
  • No. 3 – Dallas, Texas
  • No. 4 – Irvine, California
  • No. 5 – Washington, D.C.
  • No. 6 – Plano, Texas
  • No. 7 – Anchorage, Alaska
  • No. 8 – Minneapolis, Minnesota
  • No. 9 – Overland Park, Kansas
  • No. 10 – Madison, Wisconsin

ChamberofCommerce.org is a digital site for small business owners and entrepreneurs. The full report and its methodology can be found on chamberofcommerce.org.

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This is how big an apartment renters get for $1,500 in Fort Worth

NO SPACE TO WASTE

We all know what renters dream about when they’re not thinking about the logistics of owning a home: low rent prices with the perfect amount of space. In cities across Dallas-Fort Worth, that’s getting harder and harder to come by.

For renters who have a budget of $1,500 a month, the average apartment size they can get in Fort Worth spans about 909 square feet. The good news: That's almost 100 square feet more than they get in Dallas (805).

That’s according to a new study by apartment rental marketplace RentCafe.

In Arlington, renters get even more bang for their buck, at 928 square feet for the same budget.

Residents of the Dallas suburb of Mesquite, by far, get the most space in DFW, at 999 square feet for $1,500. Those in neighboring Garland come close, with 937 square feet.

The DFW cities that offer the smallest space for the price are Plano and Frisco. Plano renters have to make do with an average apartment size of 766 square feet, while Frisco renters get even less space, at 740 square feet. That’s more than 200 square feet less than an apartment in Mesquite.

RentCafe’s study looked at data from their sister site, Yardi Matrix, to determine the average size and price per square foot for a $1,500 monthly budget in 200 of the largest American cities.

Here’s how much space you can rent for $1,500 in other Dallas-Fort Worth-area cities:

  • Grand Prairie – 873 square feet
  • Denton – 868 square feet
  • Irving – 848 square feet
  • McKinney – 809 square feet

Elsewhere in Texas, apartments in the Rio Grande Valley have the best price per square foot in the state. McAllen residents get the most space out of any other Texas city with an average apartment size of 1,471 square feet. Renters in Brownsville, which is 60 miles east on the border, can get a similarly sized apartment that’s 1,307 square feet for the same $1,500 a month budget.

Much like Mesquite, Houston residents can find apartments that are just under 1,000 square feet for the same budget. But that doesn’t go nearly as far in Austin, where renters can find apartments that are an average of 714 square feet.

The full report can be found on rentcafe.com.

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'Yellowstone' stars to greet fans at Fort Worth Stock Show & Rodeo

Yellowstone news

Yellowstone fans, get your comfy shoes ready - there'll be a long line for this one. Cole Hauser a.k.a. "Rip Wheeler" on Yellowstone, and Taylor Sheridan, the show's co-creator, executive producer, and director of the series, will meet fans and sign autographs at the Fort Worth Stock Show & Rodeo.

The event will take place from 4:30-6:30 pm only on Friday, February 3. Location is the 6666 Ranch booth near the south end of Aisle 700 in the Amon G. Carter, Jr. Exhibits Hall.

According to a February 2 announcement from FWSSR, "fans will have the opportunity to snag an autograph as well as purchase some distinctive Yellowstone and 6666 Ranch merchandise while also enjoying all the features the Stock Show offers."

The event is free to attend (with paid Stock Show admission) and open to the public.

It's the second year in a row for Hauser to appear at FWSSR; in 2022, he and fellow cast mates drew huge crowds.

Sheridan, a Paschal High School graduate, is no stranger to Fort Worth; he lives in a ranch near Weatherford and filmed 1883, the prequel to Yellowstone, in and around Fort Worth. Currently, another spinoff, 1883: The Bass Reeves Story, is filming in North Texas.

The Fort Worth Stock Show & Rodeo is winding up its 2023 run on Saturday, February 4.

These are the 12 must-see shows in Dallas-Fort Worth theater for December

Theater Critic Picks

It's here: holiday show time. Many of them opened at the end of November, so we're including them here for your planning ease.

Whether you're looking for something family-friendly, a play the in-laws will love, or a performance that has nothing to do with the holidays at all, read on.

In order of start date, here are 12 local shows to watch this month:

Jada Bells - A Holiday Extravaganza
Uptown Players, through December 10
Dallas drag performer Jada Pinkett Fox, aka Lee Walter, will show off her charisma, stage presence, and voice as she brings her unique blend of glamour, humor, and talent to the stage. Jada will be joined by musical guests, each bringing their own flair and style. The holiday-themed extravaganza, written and directed by BJ Cleveland, features classic holiday favorites and contemporary hits.

Black Nativity
Bishop Arts Theatre Center, through December 17
For 19 years, Bishop Arts Theatre Center's annual holiday production of Black Nativity, inspired by Langston Hughes's iconic 1960 Broadway show, is back with a mesmerizing display of hand-clapping, toe-tapping, and finger-snapping theatrical wonderment like never before.

Poor Clare
Stage West, through December 17
Meet Clare: a stylish teen living in medieval Italy, trying out the newest hairstyles, and keeping up with the latest fashions and juicy town gossip. But everything changes when she meets a man named Francis who has started ranting in the streets. Her mother, sister, and maids don’t understand it, but this man’s ideas are, like, totally starting to make sense – and now she can’t unsee the world he has shown her.

Scrooge in Rouge
Theatre Three, through December 17
After a widespread case of food poisoning wipes out the majority of The Royal Music Hall Twenty-Member Variety Players, three surviving members of the company soldier on through a performance of A Christmas Carol that abounds in bad puns, naughty double-entendres, and witty songs.

A Charlie Brown Christmas
Dallas Children's Theater, through December 23
Rediscover the true reason for the season while sharing laughs with the Peanuts Gang along the way. Accompanied by a live combo, Charles Schulz’s classic special will make audiences nostalgic for days gone by.

The Best Christmas Pageant Ever: The Musical
Casa Mañana, through December 23
Based on the best-selling book and play by Barbara Robinson, The Best Christmas Pageant Ever: The Musical is the story of the Herdmans, who are the worst kids in the history of the world. They lie, they steal, they bully other kids, and they smoke smelly cigars. There used to be only one place where you’d never see them: church.

A Gospel Black Nativity
Jubilee Theatre, through December 24
Black Nativity is an adaptation of the Nativity story by Langston Hughes, performed by an entirely Black cast. Hughes was the author of the book, with the lyrics and music being derived from traditional Christmas carols, sung in gospel style, with a few songs created specifically for the show.

A Christmas Carol
Dallas Theater Center, through December 30
Three spirits have come to visit the miserly Ebenezer Scrooge, and to take him on a fantastic journey through Christmases past, present, and future. Brimming with joyful songs, magical spirits, and holiday cheer, this holiday classic embodies a story of joy, redemption, and the spirit of Christmas.

Safe at Home
Kitchen Dog Theater, December 7-10
An engaging and provocative site-specific work designed to be performed inside a baseball stadium, the second-ever professional production of Safe at Home examines the complex intersection between baseball, politics, and the American Dream. Lead by tour guides, pods of audience members travel throughout the stadium to nine different spaces, ranging from a luxury suite to the men’s room to the dugout, as the patrons — not the cast — move from scene to scene.

Deathtrap
Theatre Three, December 7-31
Without a success to his credit for some years, Sidney Bruhl receives a new potential hit script called Deathtrap that was written by his student. Sidney plots with his reluctant wife Myra about how best to plagiarize the play and the evening takes a hilarious and dangerous turn.

The Cher Show
Broadway at the Center, December 14-16
Superstars come and go but Cher is forever. The Cher Show is the Tony Award-winning musical of her story, and it’s packed with so much Cher that it takes three women to play her: the kid starting out, the glam pop star, and the icon.

Les Miserables
Broadway Dallas, December 20-31
Set against the backdrop of 19th-century France, the production tells an enthralling story of broken dreams and unrequited love, passion, sacrifice and redemption — a timeless testament to the survival of the human spirit. The epic and uplifting story has become one of the most celebrated musicals in theatrical history.

Director Todd Haynes tackles inappropriate relationships in May December

Movie Review

Director Todd Haynes has pushed buttons throughout his career, starting with his acclaimed short film, Superstar: The Karen Carpenter Story, which used Barbie dolls to illustrate the late singer’s anorexia battle. He’s at it again with his latest, May December, which tackles the idea of highly inappropriate relationships through a lens that itself has the potential to be upsetting.

Elizabeth (Natalie Portman), an acclaimed actress, has traveled to Savannah, Georgia to shadow Gracie (Julianne Moore) in preparation for a movie in which Elizabeth will play Gracie. That movie tackles the beginnings of Gracie’s relationship with Joe (Charles Melton), when he was a 13-year-old seventh grader and she was a 36-year-old pet shop worker. The shocking tryst resulted in much controversy, a child, and a jail stint for Gracie, but the couple professed their love for each other through it all.

Twenty years later, they’re still together, having added two more kids to their family, children who happen to be the same age as Gracie’s grandkids from her previous relationship. Elizabeth wants to experience it all, bouncing from person to person to try to understand exactly who Gracie is and was. Striving for authenticity in her performance, however, soon takes her down a Method acting rabbit hole.

Directed by Haynes from a script by Samy Burch, and loosely based on the story of teacher Mary Kay Letourneau and her 12-year-old student, Vili Fualaau, the film treats Gracie and Joe’s relationship in a relatively straightforward manner. It details a benign life in which they have the love of their kids and some neighbors, even if they occasionally get a box full of poop on their doorstep.

It’s the arrival of Elizabeth that sends things spiraling, as her various conversations trigger responses from both Gracie and Joe that they seem not to expect. Haynes alternates between being serious and being campy, with not enough of each for either for them to seem to be the goal. The score gives off a less-than-serious vibe, and an early scene in which a mundane thing is treated as if it were happening in a soap opera points in the campy direction, but those type of moments are few and far between.

In casting Portman as the obsessive actor, Haynes may have been trying to offer up echoes of her Oscar-winning role in Black Swan. It’s no small irony that the person who comes off as the most craven in such a sordid story is the actor who everybody wants to be around, not the woman who became a pariah because she is a sex offender. In that and other ways, Haynes upends expectations, keeping the film interesting even through its slower moments.

Portman and Moore are ideal for their respective roles, Portman because she has a knack for portraying confidence and guile, and Moore due to her ability to manipulate at will. Melton, best known for playing Reggie on Riverdale, pales in comparison due to his less showy role, but he complements the story well. Special notice goes to Elizabeth Yu as Gracie and Joe’s daughter Mary, who shines in her limited scenes.

The story of May December contains elements that will creep certain viewers out, whether it’s the subject matter itself or the performances of the two great lead actors. Haynes has a way of getting under the skin with his storytelling, and this film is yet another great example.

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May December will debut on Netflix on December 1.

Natalie Portman and Julianne Moore in May December

Photo by François Duhamel / Courtesy of Netflix

Natalie Portman and Julianne Moore in May December.