Fernando Bryce is a New York- and Lima-based artist, renowned in his home country of Peru and recognized internationally for his “mimetic analysis,” in which he culls archives for print materials such as advertisements, newspaper articles, and propaganda pamphlets in order to faithfully reproduce a carefully chosen selection for his own ink-on-paper “reconstructions.”
Bryce’s most recent exhibition, at Alexander and Bonin in New York this past fall, addressed the discourse of universal values during the 1940s and 1950s with three major works: The Book of Needs, Arte Nuevo, and ARTnews 1944–1947. He chronicled the changing international climate at the end of World War II and the beginning of the Cold War and surveyed media representation of the subsequent cultural shifts.
For Tuesday Evenings, Fernando Bryce shares his scrupulous and deliberated approach to artmaking that produces such ambitious works.
Fernando Bryce is a New York- and Lima-based artist, renowned in his home country of Peru and recognized internationally for his “mimetic analysis,” in which he culls archives for print materials such as advertisements, newspaper articles, and propaganda pamphlets in order to faithfully reproduce a carefully chosen selection for his own ink-on-paper “reconstructions.”
Bryce’s most recent exhibition, at Alexander and Bonin in New York this past fall, addressed the discourse of universal values during the 1940s and 1950s with three major works: The Book of Needs, Arte Nuevo, and ARTnews 1944–1947. He chronicled the changing international climate at the end of World War II and the beginning of the Cold War and surveyed media representation of the subsequent cultural shifts.
For Tuesday Evenings, Fernando Bryce shares his scrupulous and deliberated approach to artmaking that produces such ambitious works.
Fernando Bryce is a New York- and Lima-based artist, renowned in his home country of Peru and recognized internationally for his “mimetic analysis,” in which he culls archives for print materials such as advertisements, newspaper articles, and propaganda pamphlets in order to faithfully reproduce a carefully chosen selection for his own ink-on-paper “reconstructions.”
Bryce’s most recent exhibition, at Alexander and Bonin in New York this past fall, addressed the discourse of universal values during the 1940s and 1950s with three major works: The Book of Needs, Arte Nuevo, and ARTnews 1944–1947. He chronicled the changing international climate at the end of World War II and the beginning of the Cold War and surveyed media representation of the subsequent cultural shifts.
For Tuesday Evenings, Fernando Bryce shares his scrupulous and deliberated approach to artmaking that produces such ambitious works.
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