For more than a decade, Marina Adams has explored the relationships between color and form. In her acrylic-on-linen paintings, biomorphic forms dovetail, each structure distinguished by a solid field of color. Each painting has its own distinct palette, with diverse and unusual color combinations. While Adams sketches out her forms in charcoal before she paints, her work has an immediacy evidenced by loose, confident swathes of paint, where drips mark the canvases and bands of color overlap, creating a balance between organization and improvisation. Though often perceived as nonreferential, her compositions are prompted by textile design and architectural forms.