Opening the portal

Here's a first glimpse inside Meow Wolf before it opens in Grapevine next month

The buzziest opening of summer is almost upon us: Meow Wolf will debut in Grapevine Mills on July 14. With just two weeks to go, we finally have an idea of what it might be like inside the "portal," thanks to five sneak-peek photos the organizers have revealed.

Themed "The Real Unreal," Meow Wolf Grapevine will be an immersive experience that will take participants on a "journey through a Technicolor wonderland that blends storytelling, technology, and immersive art," they say. Guests will experience different dimensions of perspective and creativity through more than 30 rooms.

The storyline of the journey, conceived by sci-fi and fantasy author LaShawn Wanak, goes like this: "Beginning in a house, the story centers on a mother and son, their chosen family, and the extraordinary events that open their house to a realm of expansive creativity."

Initial images capture details of the exhibition's intricate and otherworldly landscapes, although they're not fully explained. Meow Wolf likes to keep things mysterious. All were created by 38 Texas artists alongside dozens of Meow Wolf artists.

"We’re thrilled to reveal these first looks of our newest exhibition," says Dale Sheehan, Meow Wolf senior vice president and executive creative director, in a release. "It’s been in the works for four years and is an awe-inspiring self-guided experience for visitors to get lost in. 'The Real Unreal’s' narrative journey takes a leap through the spaces between universes, and is the first major step in connecting the Meow Wolf story universe."

Photo by Kate Russell

An exhibition detail of Meow Wolf Grapevine shows how colorful it'll be.

Meow Wolf is a wildly popular, Santa Fe-based interactive adventure known for enchanting art lovers and amusement zealots with its mind-bending immersive experiences. The first-ever Texas portal (so called for Meow Wolf’s expertise in transporting visitors to fantastic realms of imagination), in Grapevine, has been in the works for more than a year.

The new Grapevine portal will be located in the Grapevine Mills shopping mall and encompass 40,000 square feet in the space formerly occupied by a big-box store. A Houston portal will follow, in 2024.

In addition to the exhibition, "The Real Unreal" portal will include a retail store, live event venue, and cafe featuring 15 food purveyors.

"The Real Unreal" will be open at 10 am daily beginning July 14. (Hours may vary.) Tickets are now available for pre-purchase starting at $50 for general admission ($45 for children). Pre-booking a time slot for entry is required.

First Look Grapevine Meow Wolf galleries

Ancient Sculpture News

Fort Worth museum one of only 3 in U.S. to get rare sculpture exhibit

Lorenzo di Masi/Torlonia Collection

The Torlonia Nile

A major exhibition of ancient Roman masterworks is coming to the U.S. for the first time to be viewed at only three museums — including the Kimbell Art Museum in Fort Worth.

Called Myth and Marble: Ancient Roman Sculpture from the Torlonia Collection, it's an assemblage of works stewarded by the Torlonia Family beginning in the early-19th century, and will be installed at the Kimbell from September 14, 2025 – January 25, 2026.

As part of the Foundation’s mission to showcase these historical works to the public, the exhibition will premiere at the Art Institute of Chicago on March 15 through June 29, before traveling to the Kimbell Art Museum in Fort Worth. Its third stop will be at the Montreal Museum of Fine Arts, from March 14 - July 19, 2026.

The Torlonia Collection was established during the course of the 19th century by the Franco-Italian banker Prince Giovanni Torlonia and his son Alessandro, then handed down over generations, eventually growing into the largest private collection of ancient Roman sculptures.

Today, the Torlonia Foundation represents the culmination of the Family’s continued passion for art. Created at the behest of Prince Alessandro Torlonia (1925–2017), the Foundation’s mission is to preserve and promote the Torlonia Collection and Villa Albani Torlonia.

In 1876, Prince Alessandro Torlonia (1800-1886) created a museum to house and exhibit the Family’s holdings, which was open to small groups until its closure at the onset of World War II. The sculptures remained unseen by the public from that time until the Foundation’s first exhibition at the Musei Capitolini in Rome in 2020. That was followed by a stint at the Louvre, the first presentation of the collection outside of Rome, where it has drawn more than 600,000 visitors to date, an unprecedented feat.

The exhibit
The curators of Myth & Marble: Ancient Roman Sculpture from the Torlonia Collection are Lisa Ayla Çakmak and Katharine A. Raff of the Art Institute of Chicago. The exhibition is co-organized by the Art Institute of Chicago and the Torlonia Foundation, in collaboration with the Kimbell Art Museum, the Montreal Museum of Fine Arts, and The Museum Box. All of the sculptures in the exhibition have been restored by the Foundation with the support of Bvlgari.

The exhibition is accompanied by a catalogue co-published by the Art Institute of Chicago and the Torlonia Foundation, edited by Lisa Ayla Çakmak and Katharine A. Raff, with essays by Silvia Beltrametti and Salvatore Settis.

The North American presentation will feature 58 highlights from the Torlonia Collection, including 24 newly restored works that have not been on view in nearly a century. The sculptures date from approximately the 5th century BCE to the early 4th century CE, with the majority of the works dating to the High Imperial period (1st–2nd centuries CE). Highlights include examples of the most emblematic genres of ancient marble sculpture, acquired by the Torlonia Family from the most prominent collections of Rome’s patrician families, as well as from excavations made on the Family’s own estates throughout Italy.

“The Foundation is excited to be sharing the Torlonia Collection with audiences in North America for the first time. This exceptional group of ancient sculptures is a testament to the enduring cultural legacy of ancient Rome, as well as the vision and passion of multiple generations of the Torlonia Family,” said Alessandro Poma Murialdo, President of the Torlonia Foundation.

The presentation is organized thematically in six sections, featuring sculptures found on the Torlonia Family’s properties in Rome and the surrounding suburbs and their estate in Porto, Portugal, as well as a number of exceptional sarcophagi (stone coffins), among the largest sculpted works in marble to survive from ancient Rome.

The tour reinforces the work of the Foundation to advance the appreciation and understanding of this unparalleled collection and the rich cultural heritage it represents. The Foundation’s mission is carried out through a continuous joint effort between the public and private sectors, including with the cooperation of the Italian Ministry of Culture. The Foundation is supported by a longstanding collaboration with Bvlgari as the principal sponsor of the restoration project since its inception in Rome and throughout the global tour, and Chiomenti, who has lent invaluable support to the Foundation’s core activities.

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