When Parasite won the Oscar for Best Picture in 2020, it signaled a shift in how international feature films were viewed not only by Academy voters, but also American filmgoers, who made it the fifth-highest grossing non-English language film of all time. Extra attention has been paid to other international films in the intervening years, including the new South Korean film, No Other Choice.

Starring Lee Byung-hun of Squid Game fame, the dark comedy chronicles the increasingly desperate actions of Man-su, a middle manager at a paper factory who is laid off due to automation. After months of trying to find a job at another paper company, he finally finds a good prospect only to learn that several other men may be better candidates. Man-su decides that the only solution is to eliminate the competition.

The only problem is Man-su is a bit of a coward; an early plan at standing up to his company in the face of the lay-offs meets an anticlimactic end. His wishy-washy ways seem to permeate his life, from putting off treatment on a painful tooth to not communicating with his more willful wife to actually going through with his vengeful ideas. He bumbles his way through every aspect of his life, virtually daring anyone to call him out on his poor decision-making.

Written and directed by Park Chan-wook, and co-written by Lee Kyoung-mi, Don McKellar, and Jahye Lee, the film initially seems to be another approach toward telling the class division story that’s at the center of Parasite and Squid Game. And it is that to a degree, as those in charge of the paper companies and the hiring committees are either indifferent or unsympathetic to the plight of those who have been forced out of work.

But the more we see of Man-su, the more it becomes clear that his is a story all its own, one where a man claims there is “no other choice” when in fact there are plenty of other options. The men in the film in general don’t come across well, with many of them reacting to stress by turning into whiners who believe the world is out to get them. Some situations turn violent as the film goes along, events that most of the time could have been avoided if the people involved actually took the time to think things through.

The film features a somewhat confusing story made even more puzzling if you don’t speak Korean. On first viewing, it’s initially unclear why Man-su is doing what he’s doing, or why he’s going after certain people in particular. The plot becomes more understandable as the film progresses, but Chan-wook includes several side plots that muddle things further even as they broaden certain characters. There are also a couple of visual text jokes that can easily be missed if you don’t know where to look.

Byung-hun is great as a man who can’t seem to get out of his own way. The role is almost in direct contrast to the one he played on Squid Game, making it easy to see how well he can adapt to different stories. Son Ye-jin as Man-su’s wife Miri and Lee Sung-min as Bummo, one of Man-su’s intended victims, are also highly engaging.

Like any film not in English, No Other Choice requires viewers to pay strict attention to the screen to get full enjoyment of the actors and their dialogue. While it doesn’t hit as hard as a comedy because of this factor, it’s still a greatly entertaining film whose underlying message makes it become a little deeper.

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No Other Choice will screen seven times, March 12-15, at the Modern Art Museum of Fort Worth.