The Lone Star Film Festival has announced the first 10 films for its 2019 edition, set for November 13-17 in downtown Fort Worth.
Among the notable movies in the first batch is the world premiere of the documentary Now or Never: A Tony Romo Story; A Hidden Life, a World War II-era film from Oscar-nominated director Terrence Malick; and the world premiere of Grand Isle, starring Nicolas Cage and Kelsey Grammer.
The festival offers an All-Access Badge experience for $300 ($350 after November 10) that allows for entry to all films during the five-day festival, as well as VIP benefits like happy hours at ALOFT Hotel, meet and greets with filmmakers, film talks with some of the biggest up-and-coming names in the industry, and an invitation to the festival awards ceremony.
If you can't make it out every day, the festival will once again offer single-day passes, where you can attend one full day of screenings. Those passes run $30 for November 13 or 14, and $45 for any day between November 15 and 17. Tickets for single films, pending availability, go for $15 each.
All screenings will be held at AMC Palace 9, with other events held at ALOFT Hotel Downtown Fort Worth and The Worthington Renaissance.
Now or Never: A Tony Romo Story will screen as part of the 2019 Lone Star Film Festival.
Photo courtesy of Dallas Cowboys
Now or Never: A Tony Romo Story will screen as part of the 2019 Lone Star Film Festival.
With 12 Oscar nominations in the past 12 years in multiple categories, Bradley Cooper has turned into not only an acclaimed actor, but also a touted filmmaker. Given that pedigree, it might be difficult to remember that he first gained recognition as a comedy star in movies like Wedding Crashers, Yes Man, and The Hangover series. For his latest directorial effort, he has married comedy with drama in Is This Thing On?.
Unlike the previous two films he directed, Cooper only has a supporting role, ceding the lead to Will Arnett. Arnett plays Alex Novak, who, as the film begins, is starting the process of divorce from his wife of 20 years, Tess (Laura Dern). Forced to move to a depressing apartment in New York City and only getting limited time with his two kids, Alex finds the unexpected outlet of stand up comedy when he signs up for open mic night at the famous Comedy Cellar.
The film follows Alex as he continues to pursue comedy while still having to see Tess on a regular basis, thanks to a shared custody agreement and get-togethers with friends like Balls & Christine (Cooper and Andra Day) and Stephen & Geoffrey (real life couple Sean Hayes and Scott Icenogle). While the comedy serves as a form of counseling for Alex, truly moving on proves more difficult than expected.
The film, co-written by Cooper with Arnett and Mark Chappell, is loosely based on the real-life story of British comedian John Bishop, so one of the biggest things they needed to get right was the comedy itself. Alex’s marital situation lends his comedy more of a confessional style than actual jokes, and his evolution in that space is done well. Shooting in the actual Comedy Cellar and populating the club with real comedians like Amy Sedaris, Jordan Jensen, Reggie Conquest, and more gives those scenes an extra dose of realism.
As if to underscore the personal and emotional nature of the story, Cooper and cinematographer Matthew Libatique make liberal use of closeups with handheld cameras. The camera is constantly moving around and often seems to be right in the actors’ faces, something that is most noticeable when Alex is performing. As if the stories Alex was telling weren’t intimate enough, having Arnett's entire face fill the frame forces the audience to pay attention to what his character is saying.
If there is something to knock about the film, it’s a lack of dramatic stakes. While there’s natural tension between Alex and Tess due to the divorce, it’s way less than in a movie like, say, Marriage Story. There’s also a sneaking suspicion that Cooper was just looking to have fun with the film, casting himself as the comic sidekick and working with good friends like Arnett and Hayes. If ever there was a good hang divorce movie, this is it.
Arnett rarely gets to be in movies, much less as the lead, but he ably embodies this somewhat dramatic part. It helps that he’s given a great scene partner like Dern, who knows when to dial her acting up or down for a particular situation. Cooper and Day are also good despite their story being slightly superfluous, and Christine Ebersole and Ciarán Hinds as Alex’s parents lend the film some extra gravitas.
Is This Thing On? is a much different type of film from Cooper’s first two directorial efforts, A Star is Born and Maestro, and it’s nice to see the filmmaker offer something new. It has a relatable story for anyone who has ever been married while offering an element of uniqueness with someone discovering an undiscovered skill late in life.
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Is This Thing On? opens wide in theaters on January 9.