John Cusack will revisit his classic films in special screenings both Dallas and Fort Worth.
Photo courtesy of John Cusack
Actor John Cusack will thrill kids of the 1980s when he hosts two screenings of popular movies of his from that decade, with both Fort Worth and Dallas on the agenda.
Cusack will screen Sixteen Candles at Will Rogers Auditorium in Fort Worth on Friday, June 23 and Say Anything at the Music Hall at Fair Park on Saturday, June 24. Both films will be followed by a live conversation about Cusack's career and the making of the film, as well as a Q&A.
Additionally, Cusack will travel to Houston on June 25 for a screening of his 2000 film, High Fidelity.
Cusack was just getting his start in Hollywood when he scored the supporting part of Bryce in 1984's Sixteen Candles, serving mostly as a sidekick to Anthony Michael Hall's character. He had established himself as a leading man by the end of the decade when he tried to woo Ione Skye in Cameron Crowe's 1989 classic, Say Anything.
The actor has enjoyed an enviable career over the past 40 years, starring in a wide range of dramas, thrillers, and comedies, including The Grifters, Eight Men Out, Being John Malkovich, High Fidelity, and Grosse Pointe Blank. He was most recently seen in the Amazon sci-fi series Utopia.
Tickets for all screenings will be available starting Friday, April 21 at 10 am through Ticketmaster.com, with presale options starting April 19.
Neil Diamond — a member of both the Songwriters and Rock and Roll Halls of Fame with 10 No. 1 songs and over 56 million albums sold — is such a music legend that it would be easy to do a straight-up biopic of him. Instead, the new Song Sung Blue — named after Diamond’s 1972 hit song — serves as a shadow Diamond biopic, with his songs showcased through a real-life husband-and-wife tribute act known as Lightning & Thunder.
Based on the 2008 documentary of the same name, the film focuses on Mike Sardina (Hugh Jackman), who comes up with the idea for a Diamond-centric act when he meets Claire (Kate Hudson). The duo soon grows in popularity locally in Milwaukee, headlining not just restaurants and bars but also some larger venues. As their legend spreads, they even start to get the attention of the media and bigger names outside of Wisconsin.
Of course, it wouldn’t be a good biopic without a little turbulence, and — without spoiling things — Mike and Claire learn that good times never seemed so good when they face more than their fair share of troubles. The couple endures their ups and downs with the help of their combined family, including children Rachel (Ella Anderson) Angelina (King Princess), and Dana (Hudson Henley), as well as a community of fellow tribute acts.
Written and directed by Craig Brewer (Dolemite is My Name), the film’s appeal lies mainly in the irrepressible enthusiasm of Mike, a man born to entertain if ever there was one. Neither his long-dormant alcoholism nor health problems nor location in the Upper Midwest can stop Mike from demonstrating his showmanship skills. Of course, it helps that he’s portrayed by Jackman, who - despite getting a little long in the tooth - gives every performance his all.
What the story can never quite answer, though, is why this particular couple is worth an entire feature film. Sure, they have a somewhat interesting arc, especially when it coincides with a certain early ‘90s grunge band, but otherwise there’s little that separates them from other tribute acts toiling around the country. Brewer struggles to define them outside of their singing lives, and when things get really bad for them, the emotional connection is at a minimum.
Then there’s the aspect of incorporating Diamond’s music, some of which has endured across the decades more than others. Naturally, “Sweet Caroline” gets a notable showcase, but whither “America” or “Heartlight?” The title song is featured the most often, as Mike uses it to celebrate his yearly “sober birthday,” but it’s not a barnburner. Mike also has an obsession with the relatively obscure "Soolaimón," an odd choice both for him and for the movie to include so much.
Jackman and Hudson have good chemistry together, and when the film puts them together in singing scenes, their bond becomes infectious. Each of them has naturally melodic voices as well, lending an extra boost to that part of the film. Supporting actors like Anderson, King Princess, Michael Imperioli, and Fisher Stevens complement them well, but Jim Belushi, playing their promoter, gives a hammy performance that seems to be in a completely different movie.
While it’s unclear who the audience for Song Sung Blue might be other than hardcore Diamond fans, it has just enough crowd-pleasing moments to make for a solid watch. The entertainment factor of the film comes and goes, but Jackman using every ounce of his abilities mostly makes up for any deficiencies.
