Closing Announcement

Fort Worth theater exits the scene following COVID-19 challenges

Marsha Norman's play 'Night, Mother was part of the final season.

Photo courtesy of Tarrant Actors Regional Theatre

After seven years of producing live theater at the Fort Worth Community Arts Center, Tarrant Actors Regional Theatre (TART) has announced it will immediately and permanently cease operations on all mainstage productions.

"Due to the loss of our primary source of funding and recent staffing changes, not to mention the devastation of the COVID-19 pandemic and its effects, this season has been the 'perfect storm' for our organization, from which we simply are unable to recover at this time," says Allen Walker, TART's president and artistic director, in a release.

It is the first DFW theater company to close completely since the pandemic began.

With a mission to "entertain, inspire, challenge, and educate its audiences through live theater," TART continually grew year after year thanks to the support of loyal patrons and dedicated volunteers. Stipends for performing artists and creative staff were provided per production, a structure many theater companies of TART's size have been unable to duplicate.

"It has been a fantastic seven seasons and I am very proud of what we've accomplished," Walker says.

This season, TART presented 'Night, Mother by Marsha Norman and Hay Fever by Noel Coward. The summer musical, Andrew Lippa's The Wild Party, announced its cancellation during pre-production due to COVID-19-related health and safety concerns. All ticket holders were refunded in April.

Along with Walker, Tarrant Actors Regional Theatre has been managed by Alex Krus (executive vice president), Karen Matheny (director of development), Charles M. Gatlin Jr. (board secretary), and Nicole R. Dobbins (board member).

Although the group will no longer produce full-scale productions, the board of directors is committed to continuing their established collaborations in the Fort Worth Fringe festival and other local arts events.

closings theater

Theater Critic Picks

These are 12 must-see shows in Dallas-Fort Worth theater for November

Dr. Seuss' How The Grinch Stole Christmas! The Musical

Photo by Jeremy Daniel

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Grocery and department stores might want us to believe it's already the holidays, but at least local theater companies are (mostly) holding off until around Thanksgiving.

November starts with absurdism, moves along to a movie-turned-Broadway musical, and even throws a creepy thriller in the mix before it's time for Grinches, Scrooges, and Charlie Brown's sad Christmas tree.

In order of start date, here are 12 local shows to watch this month:

Exit the King
Undermain Theatre, through November 24
Eugène Ionesco’s absurdist comedy is set in the crumbling throne room of the palace in an unnamed country, where King Berenger the First has only the duration of the play to live. Once, it seemed he ruled over an immense empire and commanded great armies; now his kingdom has shrunk to the confines of his garden wall. Refusing to accept his end, he is attended by his present and former Queens, who must help him face the final inevitable truth of life.

Patti & Theo
Ochre House Theatre, November 2-23
The dark comedy with music that's written and directed by artistic director Matthew Posey returns. Patti and Theo are struggling artists in Brooklyn, New York. They are big boozers, and time will tell if the Drinking Religion outlives them. Song, music, and shadow play highlight this story of two lovers who hold each other passionately at arm’s length.

Mrs. Doubtfire
Broadway at the Bass, November 5-10
Everyone’s favorite Scottish nanny comes to Fort Worth in the musical based on the beloved film, which tells the hysterical and heartfelt story of an out-of-work actor who will do anything for his kids.

The Search for Signs of Intelligent Life in the Universe
WaterTower Theatre, November 6-17
Jane Wagner’s ever-timely one-woman show examines American society, art, and human connectivity, and explores the feminist movement. As one actor transforms into a series of other archetypal characters, they become the play’s guiding conscience for the audience. Under the guidance of the narrator, a role originated by Lily Tomlin, the audience is treated to a mischievously clever observer of the society around her.

A Tuna Christmas
Casa Mañana, November 9-17
It's 24 hours before Christmas and all comic hell is about to break loose. Tuna’s delightfully eccentric characters attempt to cope with seasonal traumas, like a disaster-prone production of A Christmas Carol and a yard-decorating contest that’s being sabotaged by a mysterious Christmas phantom.

Sleuth
Theatre Three, November 14-December 15
A cunning mystery writer, Andrew Wyke, invites his wife's lover, Milo Tindle, to his secluded English manor, setting off a deadly game of manipulation and deceit. As the tension rises, surprising twists keep the audience guessing the dramatic end. Presented in the Theatre Too space.

Dr. Seuss' How The Grinch Stole Christmas! The Musical
Performing Arts Fort Worth, November 19-24
Max the Dog narrates as the mean and scheming Grinch, whose heart is "two sizes too small," decides to steal Christmas away from the holiday-loving Whos.

A Charlie Brown Christmas
Dallas Children's Theater, November 23-December 22
Discover the meaning of Christmas — or experience the nostalgia of childhood — while sharing laughs with the Peanuts Gang along the way. As a live combo fills hearts with music, merriment, and warmth, the story based on the Charles Schulz classic special is here just in time for the holidays.

Forever Plaid: Plaid Tidings
Lyric Stage, November 29-December 22
The holiday classic by Stewart Ross opens Lyric Stage's 31st season. At first, Francis, Jinx, Smudge, and Sparky aren't sure why they've returned to Earth for another posthumous performance, but a phone call from the heavenly Rosemary Clooney lets them know that they're needed to put a little harmony into a discordant world.

The Play That Goes Wrong
Stage West, November 29-December 22
At opening night of The Murder at Haversham Manor, things are quickly going from bad to horrible. With an unconscious leading lady, a corpse that can’t play dead, and actors who trip over everything (including their lines), the whole evening is a disastrous smash.

A Christmas Carol
Dallas Theater Center, November 29-December 28
Three spirits have come to visit the miserly Ebenezer Scrooge and take him on a fantastic journey through Christmases past, present, and future. Brimming with joyful songs, magical spirits, and holiday cheer, this holiday classic embodies a story of joy, redemption, and the spirit of Christmas.

Natasha, Pierre & the Great Comet of 1812
Theatre Three, November 29-December 29
The vibrant musical spectacle set in 19th-century Russia, and based on a 70-page segment of Leo Tolstoy's War and Peace, lets romance and intrigue unfold amid glittering ballrooms and tumultuous relationships. Its score features a unique blend of electro-pop and Russian folk-inspired music.

a christmas carol musicals opening plays theater