Studio Movie Grill will reopen its newest location, SMG Chisholm Trail in Fort Worth, sometime in fall 2021, more than a year after the theater was completed in July 2020 as the anchor to The Shops at Chisholm Trail Ranch.
Originally announced in March 2020 just before the start of the pandemic, the theater — located at 5413 Sierra Springs Ln., at the southeast corner of Chisholm Trail Parkway and McPherson Boulevard — opened in August 2020 before closing again in January 2021 due to the lack of new movie releases, the company says.
Now that movies are being released on a regular basis again, they say, audiences will finally have a chance to experience all of the amenities at the new theater, which features 12 screens and over 1,200 luxury leather recliners. As Studio Movie Grill was the originator of the dine-in theater idea, moviegoers will be offered the same in-theater dining experience available at all other locations.
The theater is one of Studio Movie Grill's newer prototypes, featuring a whole new bar design, lowered ceilings, controlled lighting levels, and new kitchen designed for speed and efficiency, time, and motion. It also includes updated auditorium seating as well as other modern furniture, fixtures, equipment touchpoints, and design features.
It is the first location in Fort Worth; there are two other Tarrant County locations in Arlington. All other local Studio Movie Grill locations have already reopened.
Studio Movie Grill at The Shops at Chisholm Trail Ranch will finally reopen its doors sometime in fall 2021.
Photo courtesy of Studio Movie Grill
Studio Movie Grill at The Shops at Chisholm Trail Ranch will finally reopen its doors sometime in fall 2021.
Robert Pattinson is among a select group of actors with multiple high-profile roles in 2026, having already starred in The Drama and The Odyssey, with Dune: Part Three yet to come. But the one that may earn him an Oscar nomination - if not win - is Primetime, in which he stars as Chris Hansen, the former host of the Dateline NBC show To Catch a Predator.
The film, directed by Lance Oppenheim and written by Ajon Singh, plops viewers right in the middle of the short-lived run (2004-2007) of the program, which aimed to expose men for trying to have sex with teenagers. Hansen is obsessed with making the show successful, which means enticing as many child predators as they can and recruiting young-looking adult actors to serve as decoys for sting operations.
Helping him in his pursuit is producer Andie Bender (Merrit Wever), who has her own ambitions; recruiter Xavier Von Erck (Matthew Maher), who perhaps enjoys trapping predators a bit too much; and decoys Dan Plumb (Skyler Gisondo) and Del (Phoebe Bridgers), who have to muster all the improv skills they can when the men show up. As the story proceeds, each participant weighs their own level of comfort with the controversial practices of the show as a whole.
Depending on the audience, the film can play as a serious drama, a comedy, a horror, or a combination of all three. It seems like Oppenheim wants to confront the audience with the uncomfortable feeling of not having anyone for whom to root. You certainly can’t feel bad for the predators, who actively engage with someone they believe to be a child. But the process of getting men on the show, as well as the treatment of the decoys, is itself unsavory and difficult to defend.
At the center is a protagonist whose persona is interesting as a character, but less appealing as an actual person. As Hansen pushes everyone around him to do all they can for the sake of the show, his hubris puts him right in line with your standard antihero. But the idea of a man obsessed with his job who all but ignores his family and cheats on his wife is ultimately not that compelling and plays like the cliché it is.
If the film was supposed to be an exposé on what Hansen and the show as a whole got wrong in the pursuit of justice, it fails to bring about any strong feelings on either side. The one area where it does succeed is in its depictions of the two decoys, and Oppenheim might have been better served by showcasing them more. The film does shift toward being more of a story about Dan than Hansen, but not enough to make a big impact.
Oppenheim has seemingly devised the film as an acting showcase, and in that regard it works well. Pattinson is all-in with his performance, going to great lengths to demonstrate Hansen’s passion for the show. He has many fantastic line readings, including a one-word utterance late in the film that brings the house down. Wever and Gisondo are just as good, and Bridgers — making her acting debut — steals several of the scenes she’s in.
The impact To Catch a Predator had on society despite the small number of episodes (20) it had is something worth exploring, as the documentary Predators did in 2025. But Primetime doesn’t get to the heart of the matter in a way that makes for necessary viewing, leaving it as a testament to the skills of its actors and not much else.
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Primetime will screen seven times, Friday through Sunday, at the Modern Art Museum of Fort Worth.
