Theater Critic Picks

These are 12 must-see shows in Dallas-Fort Worth theater for November

Dr. Seuss' How The Grinch Stole Christmas! The Musical

Don't worry: The Grinch doesn't arrive until closer to Thanksgiving.

Photo by Jeremy Daniel

Grocery and department stores might want us to believe it's already the holidays, but at least local theater companies are (mostly) holding off until around Thanksgiving.

November starts with absurdism, moves along to a movie-turned-Broadway musical, and even throws a creepy thriller in the mix before it's time for Grinches, Scrooges, and Charlie Brown's sad Christmas tree.

In order of start date, here are 12 local shows to watch this month:

Exit the King
Undermain Theatre, through November 24
Eugène Ionesco’s absurdist comedy is set in the crumbling throne room of the palace in an unnamed country, where King Berenger the First has only the duration of the play to live. Once, it seemed he ruled over an immense empire and commanded great armies; now his kingdom has shrunk to the confines of his garden wall. Refusing to accept his end, he is attended by his present and former Queens, who must help him face the final inevitable truth of life.

Patti & Theo
Ochre House Theatre, November 2-23
The dark comedy with music that's written and directed by artistic director Matthew Posey returns. Patti and Theo are struggling artists in Brooklyn, New York. They are big boozers, and time will tell if the Drinking Religion outlives them. Song, music, and shadow play highlight this story of two lovers who hold each other passionately at arm’s length.

Mrs. Doubtfire
Broadway at the Bass, November 5-10
Everyone’s favorite Scottish nanny comes to Fort Worth in the musical based on the beloved film, which tells the hysterical and heartfelt story of an out-of-work actor who will do anything for his kids.

The Search for Signs of Intelligent Life in the Universe
WaterTower Theatre, November 6-17
Jane Wagner’s ever-timely one-woman show examines American society, art, and human connectivity, and explores the feminist movement. As one actor transforms into a series of other archetypal characters, they become the play’s guiding conscience for the audience. Under the guidance of the narrator, a role originated by Lily Tomlin, the audience is treated to a mischievously clever observer of the society around her.

A Tuna Christmas
Casa Mañana, November 9-17
It's 24 hours before Christmas and all comic hell is about to break loose. Tuna’s delightfully eccentric characters attempt to cope with seasonal traumas, like a disaster-prone production of A Christmas Carol and a yard-decorating contest that’s being sabotaged by a mysterious Christmas phantom.

Sleuth
Theatre Three, November 14-December 15
A cunning mystery writer, Andrew Wyke, invites his wife's lover, Milo Tindle, to his secluded English manor, setting off a deadly game of manipulation and deceit. As the tension rises, surprising twists keep the audience guessing the dramatic end. Presented in the Theatre Too space.

Dr. Seuss' How The Grinch Stole Christmas! The Musical
Performing Arts Fort Worth, November 19-24
Max the Dog narrates as the mean and scheming Grinch, whose heart is "two sizes too small," decides to steal Christmas away from the holiday-loving Whos.

A Charlie Brown Christmas
Dallas Children's Theater, November 23-December 22
Discover the meaning of Christmas — or experience the nostalgia of childhood — while sharing laughs with the Peanuts Gang along the way. As a live combo fills hearts with music, merriment, and warmth, the story based on the Charles Schulz classic special is here just in time for the holidays.

Forever Plaid: Plaid Tidings
Lyric Stage, November 29-December 22
The holiday classic by Stewart Ross opens Lyric Stage's 31st season. At first, Francis, Jinx, Smudge, and Sparky aren't sure why they've returned to Earth for another posthumous performance, but a phone call from the heavenly Rosemary Clooney lets them know that they're needed to put a little harmony into a discordant world.

The Play That Goes Wrong
Stage West, November 29-December 22
At opening night of The Murder at Haversham Manor, things are quickly going from bad to horrible. With an unconscious leading lady, a corpse that can’t play dead, and actors who trip over everything (including their lines), the whole evening is a disastrous smash.

A Christmas Carol
Dallas Theater Center, November 29-December 28
Three spirits have come to visit the miserly Ebenezer Scrooge and take him on a fantastic journey through Christmases past, present, and future. Brimming with joyful songs, magical spirits, and holiday cheer, this holiday classic embodies a story of joy, redemption, and the spirit of Christmas.

Natasha, Pierre & the Great Comet of 1812
Theatre Three, November 29-December 29
The vibrant musical spectacle set in 19th-century Russia, and based on a 70-page segment of Leo Tolstoy's War and Peace, lets romance and intrigue unfold amid glittering ballrooms and tumultuous relationships. Its score features a unique blend of electro-pop and Russian folk-inspired music.

a christmas carol musicals opening plays theater

Ancient Sculpture News

Fort Worth museum one of only 3 in U.S. to get rare sculpture exhibit

Lorenzo di Masi/Torlonia Collection

The Torlonia Nile

A major exhibition of ancient Roman masterworks is coming to the U.S. for the first time to be viewed at only three museums — including the Kimbell Art Museum in Fort Worth.

Called Myth and Marble: Ancient Roman Sculpture from the Torlonia Collection, it's an assemblage of works stewarded by the Torlonia Family beginning in the early-19th century, and will be installed at the Kimbell from September 14, 2025 – January 25, 2026.

As part of the Foundation’s mission to showcase these historical works to the public, the exhibition will premiere at the Art Institute of Chicago on March 15 through June 29, before traveling to the Kimbell Art Museum in Fort Worth. Its third stop will be at the Montreal Museum of Fine Arts, from March 14 - July 19, 2026.

The Torlonia Collection was established during the course of the 19th century by the Franco-Italian banker Prince Giovanni Torlonia and his son Alessandro, then handed down over generations, eventually growing into the largest private collection of ancient Roman sculptures.

Today, the Torlonia Foundation represents the culmination of the Family’s continued passion for art. Created at the behest of Prince Alessandro Torlonia (1925–2017), the Foundation’s mission is to preserve and promote the Torlonia Collection and Villa Albani Torlonia.

In 1876, Prince Alessandro Torlonia (1800-1886) created a museum to house and exhibit the Family’s holdings, which was open to small groups until its closure at the onset of World War II. The sculptures remained unseen by the public from that time until the Foundation’s first exhibition at the Musei Capitolini in Rome in 2020. That was followed by a stint at the Louvre, the first presentation of the collection outside of Rome, where it has drawn more than 600,000 visitors to date, an unprecedented feat.

The exhibit
The curators of Myth & Marble: Ancient Roman Sculpture from the Torlonia Collection are Lisa Ayla Çakmak and Katharine A. Raff of the Art Institute of Chicago. The exhibition is co-organized by the Art Institute of Chicago and the Torlonia Foundation, in collaboration with the Kimbell Art Museum, the Montreal Museum of Fine Arts, and The Museum Box. All of the sculptures in the exhibition have been restored by the Foundation with the support of Bvlgari.

The exhibition is accompanied by a catalogue co-published by the Art Institute of Chicago and the Torlonia Foundation, edited by Lisa Ayla Çakmak and Katharine A. Raff, with essays by Silvia Beltrametti and Salvatore Settis.

The North American presentation will feature 58 highlights from the Torlonia Collection, including 24 newly restored works that have not been on view in nearly a century. The sculptures date from approximately the 5th century BCE to the early 4th century CE, with the majority of the works dating to the High Imperial period (1st–2nd centuries CE). Highlights include examples of the most emblematic genres of ancient marble sculpture, acquired by the Torlonia Family from the most prominent collections of Rome’s patrician families, as well as from excavations made on the Family’s own estates throughout Italy.

“The Foundation is excited to be sharing the Torlonia Collection with audiences in North America for the first time. This exceptional group of ancient sculptures is a testament to the enduring cultural legacy of ancient Rome, as well as the vision and passion of multiple generations of the Torlonia Family,” said Alessandro Poma Murialdo, President of the Torlonia Foundation.

The presentation is organized thematically in six sections, featuring sculptures found on the Torlonia Family’s properties in Rome and the surrounding suburbs and their estate in Porto, Portugal, as well as a number of exceptional sarcophagi (stone coffins), among the largest sculpted works in marble to survive from ancient Rome.

The tour reinforces the work of the Foundation to advance the appreciation and understanding of this unparalleled collection and the rich cultural heritage it represents. The Foundation’s mission is carried out through a continuous joint effort between the public and private sectors, including with the cooperation of the Italian Ministry of Culture. The Foundation is supported by a longstanding collaboration with Bvlgari as the principal sponsor of the restoration project since its inception in Rome and throughout the global tour, and Chiomenti, who has lent invaluable support to the Foundation’s core activities.

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