The Weeknd will bring The After Hours Tour to American Airlines Center and Dickies Arena.
Photo courtesy of LiveNation
The Weeknd will bring his new headline world tour, The After Hours Tour, to both Dallas and Fort Worth, becoming the first act to play at both American Airlines Center and Dickies Arena on the same tour. He'll play in Dallas on July 25 and come back a month later to play in Fort Worth on August 20.
The tour is in support of his new album, After Hours, which will be released on March 20. It will travel to 53 cities around the world over the course of five months, starting in Vancouver, British Columbia on June 11. In addition to Dallas and Fort Worth, The Weeknd will play in Houston on July 24 and San Antonio on August 19.
The tour promises state-of-the-art production and one of the most innovative stage designs to date, containing the most LED lights and video for an arena show. Fans will be able to enjoy The Weeknd's previous hits like "Earned It," "Can't Feel My Face," and "Starboy," along with his latest No. 1 hit, "Heartless."
American Express Card Members can purchase tickets before the general public beginning at 10 am Tuesday, February 25 through 10 pm Thursday, February 27. Regular ticket on-sale begins at 10 am Friday, February 28. For all North American dates, each ticket purchased online comes with one CD copy of After Hours.
Fans can get a preview of the tour when The Weeknd performs on Saturday Night Live on March 7.
Robert Pattinson and Zendaya will be seen together a lot at the movies in 2026, with mega-films like The Odyssey and Dune: Part Three coming out later in the year. But fans can get a much more intimate look at the two stars in a film that offers a unique take on relationship struggles, The Drama.
Emma (Zendaya) and Charlie (Pattinson) are a New York couple who are engaged to be married. After a quick-but-effective montage of their courtship, the story joins them as they are just days away from their wedding. As they get all the details like music, flowers, and food finalized, a visit to the caterer with married friends Rachel (Alana Haim) and Mike (Mamoudou Athie) proves fateful.
A few too many drinks leads to each member of the group deciding to divulge the worst thing they’ve ever done. While each story is slightly shocking, Emma’s takes the cake, so much so that Charlie starts to question their relationship. As they get closer to the wedding date, Charlie finds it increasingly difficult to get beyond Emma’s revelation, with each real or imagined conversation threatening to derail their previously tight bond.
Written and directed by Kristoffer Borgli, the film is provocative, funny, and cringey as it tries to get to the center of human dynamics. Charlie, Rachel, and Mike have starkly different reactions to Emma’s story, and the way those play out over the course of the film provides, well, the drama. The harder Charlie tries to justify Emma’s past, the more his underlying feelings start to eat at him, causing friction not just between him and Emma, but in other parts of his life, as well.
Strangely, especially for a character played by Zendaya, Emma recedes more than expected. Her explanations for her previous actions are timid at best, and she mostly seems to be waiting for Charlie to forgive her instead of questioning why she needs forgiveness. Borgli favors the male side of the equation, and in so doing he doesn’t dig as deep into the root of the issue as he could have.
Still, the downward spiral at the center of the story has a propulsive nature to it, and each successive step proves to be both hard to watch and impossible to turn away from. It also helps that Borgli manages the tone well, keeping interactions between characters relatively light so that the film doesn’t turn into one like Marriage Story.
Pattinson, who gets to use his own British accent for once, put on an interesting performance that is much better than his last two roles in Mickey 17 and Die My Love. He has good chemistry with Zendaya, who manages to shine despite being laden with a role that doesn’t play entirely to her strengths. Haim and Athie do good work in small roles, while Hailey Grace and Hannah Gross make an impact in brief appearances.
The situation in which Emma and Charlie find themselves in The Drama is not one to be wished on anyone, but it’s presented well by Borgli, keeping tensions high for the bulk of the film. Despite the two main characters not given completely equal footing, the story finds a way to get to a satisfactory ending.