Sarah Jaffe will perform at the inaugural Texas Crossroads concert on September 5. The series takes place every Wednesday through October 3.
Photo by Brian K. Ullrich
Local musicians will soon get a larger showcase when Performing Arts Fort Worth starts its new concert series, Texas Crossroads.
Spotlighting local and regional singers and musicians, the series will kick off with a star-studded concert on September 5 at Bass Performance Hall, featuring performances by Vaden Todd Lewis of the Toadies, Sarah Jaffe, Austin Allsup, and Josh Weathers.
The remaining four concerts in the series — taking place every Wednesday night through October 3 — will be held in the intimate McDavid Studio. Performers will include Brandon Rhyder, Sam Anderson, Luke Wade, Abraham Alexander, Joey Green, and more. A detailed schedule can be found on the Bass Hall website.
The concerts will be up-close-and-personal experiences, with the artists performing acoustic sets and sharing stories and anecdotes about their lives and music. They are co-presented by Visit Fort Worth and Hear Fort Worth.
Tickets for the kickoff concert are $30-$50, while tickets for the four other concerts are $22-$35 per show. All tickets will go on sale at 10 am Friday, June 8.
Tickets can be purchased by phone by calling 817-212-4280 in Fort Worth or 1-877-212-4280 outside Fort Worth. You can also order online at www.basshall.com or at the Bass Hall ticket office at 525 Commerce St., Fort Worth.
Photo by Jasin Boland/Universal Pictures and Amblin Entertainment
Scarlett Johannson in Jurassic World Rebirth.
Given how successful the Jurassic Park / Jurassic World franchise has been at the box office, it’s no surprise that Universal Pictures will find any excuse to keep the gravy train rolling. So here comes Jurassic World Rebirth, a film with all new characters that only has a tangential relationship to the stories that have come before.
And, man, does it have a lot of characters. Leading the way is Zora Bennett (Scarlett Johannson), a woman who is known for being able to procure hard-to-get things. She’s hired by Martin Krebs (Rupert Friend), who works for a medical company looking to get blood samples from giant dinosaurs to make a life-saving heart medicine. Naturally, they need a dinosaur expert, which they find in Dr. Henry Loomis (Jonathan Bailey), whose work at a natural history museum is coming to an end as the public seems to be growing tired of dinosaurs, five years after the events of Jurassic World Dominion.
The dinosaurs they need can be found off the coast of Suriname, a subtropical environment that is one of the only hospitable areas left for the creatures. There Zora recruits boat captain Duncan Kincaid (Mahershala Ali), who comes with a crew of three mostly anonymous people. And for good measure, Reuben Delgado (Manuel Garcia-Rulfo) happens to be sailing nearby in the middle of an ocean voyage with his two daughters and his older daughter’s extremely lazy boyfriend.
Given the recent pedigree of director Gareth Edwards (The Creator, Rogue One) and original Jurassic Park writer David Koepp (returning to the franchise for the first time since 1997’s The Lost World), the film should be an unmitigated success. Instead, the filmmakers and their team stumble blindly through any kind of character development. The fact that they’re trying to introduce no fewer than 11 different people should be a big flashing red light, but still they persist.
Instead of making us care whether the people in the film live or die (spoiler alert: A lot of them die), Edwards and Koepp seem to lay all of their hopes on audiences being satisfied with yet-more dino mayhem. But dinosaurs rampaging or chomping people in half only works if the human component is compelling, which it is not. They try to gloss over this by having the characters encounter experimental cross-bred creatures, a story device that makes an impact with a monstrous one in the final act, but otherwise fails to land.
The film also yada-yadas a lot of the plot points, including how Krebs’ company knows they need the blood of these particular dinosaurs when they’ve never had it before. They reference events from previous films in oblique ways, but they run into the same issue every Jurassic World film has had: Not being able to properly explain the main premise of their story, given that previous events should have stopped them from ever happening.
Any film with an Oscar winner (Ali) and nominee (Johannson) at the top should be one worth watching, but it almost feels like neither actor knew what kind of film they were actually making. They each get by on charm, but even they can’t sell the nonsense they’re asked to say. Bailey, who played Fiyero in Wicked, is given a weird nothing part, while Friend plays the villain with little verve. We hardly get to know anyone else, but Audrina Miranda, who plays the youngest daughter on the sailboat, is super-cute and gets a couple of decent emotional moments.
As with the Marvel movies, there is bound to come a time when the general moviegoing public gets tired of being served mediocre Jurassic movies. If any of the franchise’s movies deserves to be the stopping point, it’s this one, with a non-starter of a story and little to get excited about when it comes to the dinosaurs.
---
Jurassic World Rebirth opens in theaters on July 2.